Sunday, May 22, 2011

[H216.Ebook] Free PDF Goodnight, Goodnight Construction Site, by Sherri Duskey Rinker

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Goodnight, Goodnight Construction Site, by Sherri Duskey Rinker

The #1 New York Times bestseller

As the sun sets behind the big construction site, all the hardworking trucks get ready to say goodnight. One by one, Crane Truck, Cement Mixer, Dump Truck, Bulldozer, and Excavator finish their work and lie down to rest—so they'll be ready for another day of rough and tough construction play! With irresistible artwork by best-selling illustrator Tom Lichtenheld and sweet, rhyming text, this book will have truck lovers of all ages begging for more.

And don't forget! Crunch, vroom, beep, yawn and snore along with Goodnight, Goodnight Construction Site SOUND BOOK. Available now.

  • Sales Rank: #806 in Books
  • Brand: Chronicle Books
  • Published on: 2011-05-04
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.50" h x .38" w x 10.00" l, 1.00 pounds
  • Binding: Hardcover
  • 32 pages
Features
  • Chronicle Books (CA)

Amazon.com Review
Amazon.com Exclusive Essay: From the Slush Pile to #1: Realizing My Vision. Or Not. First-time author Sherri Duskey Rinker's Goodnight, Goodnight, Construction Site steadily climbed up the New York Times' Bestseller list throughout 2011, reaching #1 on January 29th, 2012. Here she shares the early inspiration that inspired a career in design, and how another artist brought her vision to life.

I grew up loving picture books.

I can still hear my grandmother's voice over the sound of the pages turning, the old wind-up Westclox alarm clock ticking away and the sound of traffic rolling down Howard Street. I remember the smell of books mingling with the smell of freshly laundered sheets.

Virginia Lee Burton's The Little House was my favorite, and I obsessed over the whimsically sweet illustrations of that little pink house happily sitting upon a hill covered in daisies.

Inspired, I wanted to be an artist. I also wanted to be a poet, an art teacher, and a journalist. The ping-pong ball of art vs. words ended with a career as a graphic designer. It was a perfect fit: I took pictures and words and put them together in a pretty way.

I met an artist, a photographer. He also had grown up with Virginia Burton: Mike Mulligan and his Steam Shovel. It was a sign. So I married him. We had two boys and two good excuses for buying dozens (and dozens) of picture books.

Inspired by my youngest son's tireless (literally!) obsession with trucks, I wrote Goodnight, Goodnight Construction Site in stolen moments during the workday and late at night, after the boys were tucked in. And with the words emerged a vision (dare I say "obsession") for how the book and my trucks would look.

I could see it so clearly: realistic illustrations of trucks superimposed with facial expressions to convey the mood and create the characters. Strong, yet simple graphic elements to create the setting. A bit of realism. A bit of collage. A bit of a grunge to compliment the dirty work of the trucks. I included the concept illustration with my manuscript and sent it, unsolicited, to Chronicle Books.

When my editor contacted me, three months after I'd sent the manuscript, she was friendly, but also to-the-point: They loved the manuscript (!), and hated (though she used a nicer word) the illustration concept.

Hmm...

One of the reasons that Chronicle was the first (and ultimately only) publisher on my list was that I LOVE their picture books. I appreciate their beauty and high production values. So, I had a choice here: trust, or walk away. I chose trust--with a big dash of fear.

My editor asked if I had any ideas for illustrators. I sent her a dozen names and online portfolios. I'm pretty certain she ignored me. And, they chose Tom Lichtenheld. (Who?)

When I told my editor that I'd never heard of Tom, she quickly emailed a few examples. The first was from Tom's NYT best-selling book, Duck! Rabbit! I was stunned to see bold, simple shapes and thickly-outlined illustrations. I stared blankly at the screen, feeling my heart sink.

Could this guy even draw a truck?

I spent the next couple of months intently focused on the process of editing and developing the final manuscript. But it was always there, in the back of my mind: What would the book look like? What had I given up?

One evening I received an excited email from my editor with Tom's first pencil sketch attached.

I wrote back: "I’m scared. I'll pour a glass of wine and then look at it."

I held my breath and double-clicked. And there it was: classic, timeless and tender, with just a touch of whimsy. My crane truck, a distant, younger cousin to Mike Mulligan, perhaps? My heart melted. I was won over.

So there it was: nothing like I imagined. But it was better. I've come to learn that some of the best things in life--like marriage and motherhood--are like that.

And I could almost feel Mrs. Burton smiling down.

Virginia Lee Burton's The Little House Virginia Lee Burton's Mike Mulligan's steam shovel Rinker's original vision for Goodnight, Goodnight, Construction Site Illustrator Tom Lichtenheld's Duck! Rabbit! Lichtenheld's first sketch of Goodnight, Goodnight, Construction Site

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Saturday, May 14, 2011

[B165.Ebook] PDF Download The American Spirit: Who We Are and What We Stand For, by David McCullough

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The American Spirit: Who We Are and What We Stand For, by David McCullough

A New York Times Bestseller

A timely collection of speeches by David McCullough, the most honored historian in the United States—winner of two Pulitzer Prizes, two National Book Awards, and the Presidential Medal of Freedom, among many others—that reminds us of fundamental American principles.

Over the course of his distinguished career, David McCullough has spoken before Congress, the White House, colleges and universities, historical societies, and other esteemed institutions. Now, at a time of self-reflection in America following a bitter election campaign that has left the country divided, McCullough has collected some of his most important speeches in a brief volume designed to identify important principles and characteristics that are particularly American. The American Spirit reminds us of core American values to which we all subscribe, regardless of which region we live in, which political party we identify with, or our ethnic background. This is a book about America for all Americans that reminds us who we are and helps to guide us as we find our way forward.

  • Sales Rank: #228 in Books
  • Brand: Simon & Schuster
  • Published on: 2017-04-18
  • Released on: 2017-04-18
  • Original language: English
  • Dimensions: 8.25" h x .70" w x 5.50" l, 1.00 pounds
  • Binding: Hardcover
  • 192 pages
Features
  • The American Spirit: Who We Are and What We Stand For

Review
"This book is a gift. . . . It's a powerful argument for keeping history alive." (Michael Schaub NPR)

“[McCullough] is one of the great historical storytellers of his generation. . . . Fundamentally Mr. McCullough loves the American story and its most illustrious characters.” (Robert W. Merry The Wall Street Journal)

“A national treasure, McCullough performs a national service in The American Spirit. Insightful and inspirational, it summons a vexed and divided nation to remember - and cherish - our unifying ideas and ideals.” (Jay Strafford Richmond Times Dispatch)

"McCullough's passion for history and his profound belief in America, or at least his vision of America . . . is both encompassing and deeply hopeful. . . .Clio, the muse of history, smiles and nods her head on every page."  (Kirkus Reviews)

“McCullough perfectly embodies the part of remember-in-chief. . . . Happily, the same qualities that inform McCullough’s histories and biographies also shape his speeches. He is, whether at his desk or a lectern, a consummate storyteller.”
  (Danny Heitman Christian Science Monitor)

“Very few among us possess the encompassing and informed perspective on America’s past and present that historian and best-selling author McCullough has gained over decades of research. . . . McCullough’s legions of fans will flock to this edifying collection.” (Booklist)

“A carefully crafted, well-reasoned, heartfelt testament to what this nation can be — past, present, and we must believe — future.”

  (Barbara Hall The Providence Journal)

“Acclaimed historian David McCullough’s The American Spirit is as inspirational as it is brilliant, as simple as it is sophisticated. It will at the same time make you laugh and give rise to tears of despair. . . . This is not patriotic boilerplate. McCullough is a historian and a realist. He sees his nation with all its warts, beginning with its indelible birthmark of slavery and continuing through to today’s government dysfunction and political polarization. Yet he remains confident and upbeat.” (Edward Cuddihy Buffalo News)

"This collection captures McCullough's passion and vigor throughout. . . . [His] enthusiasm for history is infectious." (Andrew Carroll The Los Angeles Review of Books)

About the Author
David McCullough has twice received the Pulitzer Prize, for Truman and John Adams, and twice received the National Book Award, for The Path Between the Seas and Mornings on Horseback. His other acclaimed books include The Johnstown Flood, The Great Bridge, Brave Companions, 1776, The Greater Journey, and The Wright Brothers. He is the recipient of numerous honors and awards, including the Presidential Medal of Freedom, the nation’s highest civilian award. Visit DavidMcCullough.com.

Excerpt. © Reprinted by permission. All rights reserved.
The American Spirit

Simon Willard’s Clock JOINT SESSION OF CONGRESS
Washington, D.C.

1989

Mr. Speaker, Mr. Vice President, Senator Dole, Members of the 101st Congress, ladies and gentlemen. For a private citizen to be asked to speak before Congress is a rare and very high honor and I thank you.

Simon Willard was never a Member of Congress in the usual sense. Simon Willard of Roxbury, Massachusetts, was a clockmaker early in the nineteenth century and he did it all by hand and by eye.

“In cutting his wheel teeth,” reads an old account, “he did not mark out the spaces on the blank [brass] wheel and cut the teeth to measure, but he cut, rounded up and finished the teeth as he went along, using his eye only in spacing, and always came out even. . . .

Most helpful customer reviews

71 of 74 people found the following review helpful.
History as a guide to America's present and future
By Ashutosh S. Jogalekar
This book is a short collection of speeches by David McCullough, one of America's foremost historians. The speeches span about twenty-five years and were delivered in a variety of locations and to mark a variety of occasions. Most of them are college commencement addresses - in Boston, Ohio, Missouri and Pittsburgh - and a few mark the anniversary of important monuments (the White House) or events (the Kennedy assassination).

Some of the speeches are inspiring, some of them are informative, and many are both. McCullough's thrust in all of them is to stress the importance of history as a guide to American character and values. He fears that many Americans, and young Americans in particular, are ignorant of the kind of history that can enrich and guide their views of the present and future; his fears are realized by a meeting with a bright young college student who did not know that the original thirteen states were all on the East Coast. He is convinced that not only can history inform people's understanding of contemporary events, but that it can remind people of the values and men and women that made this country what it is. In an interview, McCullough mentioned that he put together this collection specifically for these politically troubled times. At the very least they should reassure people that their concerns and fears have been felt - and overcome - by many others in the past.

In most of his speeches McCullough focuses on one or more great Americans. He is not bashful about taking this 'Great Man' view of history, since many of the characters he picks exemplify well the essential qualities of this country. He recognizes their flaws, but also sees their greatness. Famous Americans like John and Abigail Adams, Thomas Jefferson and JFK make regular appearances, but so do less famous but still important ones like Benjamin Rush, Simon Willard, James Sumner and Margaret Chase Smith. In speeches intended to commemorate buildings, McCullough also lovingly describes the rich history of monuments like the White House and Capitol Hill and cities like Pittsburgh and Boston.

Throughout the book, McCullough emphasizes many of the qualities that exemplified this country's history: "the fundamental decency, the tolerance and insistence on truth and the good-heartedness of the American people". Relationships with France and other countries played a critical role, and so did the hard work of immigrants. There is also bravery here, exemplified by the Founding Fathers' decision to defy the King of England under threat of execution, by abolitionists' denunciation of slavery and by the ceaseless optimism of scores of politicians and common Americans who wanted to change the direction of this country for the better. There was Margaret Smith who stood up against Joseph McCarthy and said that she did not want "to see the Republican Party ride to political victory on the four horsemen of calumny - fear, ignorance, bigotry and smear". There was physician Benjamin Rush who emphasized "candor, gentleness, and a disposition to speak with civility and to listen with attention to everybody". And there was Adams who famously said that "facts are stubborn things". All lessons for the present and the future.

If there is one common theme that emerges most prominently from all the speeches, it is an emphasis on education and an appreciation of history. McCullough tells us how many of the most important Founding Fathers and presidents put learning and books front and center, not just in their own evolution but in their vision for America. Jefferson once said to Adams that he could not live without books, and Adams himself told his son John Quincy that with a poet in his pocket he will never feel alone. McCullough talks about Carpenter's Hall in Philadelphia where Benjamin Franklin established the Library Company that evolved into the country's first public library. As he describes it, the biographies of many famous people tell us that learning is not elitist, it is as American as apple pie. It is what turned this country into a beacon of democracy, science and finance. And for learning it is critical to read: "Read for pleasure. Read to enlarge your lives. Read history, read biography, learn from the lives of others". The same goes for history. McCullough is deeply concerned that younger Americans are losing touch with their history. He urges parents to take their children to historic sites at a young age and Americans of all ages to read and ponder their history. He constantly refers to American presidents who loved to read history; Theodore Roosevelt and JFK even wrote history books themselves. Ultimately, he says, "the pleasure of history consists in an expansion of the experience of being alive". And if nothing else, history should inform Americans of strategies and insights from the past that they can adopt to solve contemporary problems.

The overriding message that comes across from many of these speeches is that of optimism, hope and a constant drive in the American people to reinvent themselves. It should be a potent message in today's times and should hopefully further encourage the study of this country's history. As McCullough puts it, "It is a story like no other, our greatest natural resource. It is about people, and they speak to us across the years".

18 of 18 people found the following review helpful.
Flawlessly factual, detailed and entertaining.
By James O.S.CT
David McCullough is a master historian. The speeches in this book, like the storytelling of his last ten books is flawlessly factual, detailed and entertaining. The American Spirit is an excellent read.

10 of 10 people found the following review helpful.
Uplifting and Positive
By Zack
This was a very easy and enjoyable read. It served as a good reminder that there has always been turmoil in our politics but we've prevailed as a nation despite our problems.

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Sunday, May 8, 2011

[J266.Ebook] Download Ebook Luxury Toys for Men: The Ultimate CollectionFrom teNeues

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Luxury Toys for Men: The Ultimate CollectionFrom teNeues

The Luxury Toys series has set high expectations during its decade of publication. Now we present its most extravagant incarnation yet. Every man yearns for the finer things in life, but only a select few can indulge in them as they wish. Some may even get to sample an occasional extravagance that is among the world's most refined. Browsing through the 304 pages of this incredible over size volume is like a trip to Aladdin's cave. Featuring exceptional products and services--the likes of which you may never encounter again-- this volume is a true representation of every possible fantasy you may have imagined. Captivating images in luxuriant color portray the finer details of these lavish toys. Whether your ideal of luxury is a customized Gulfstream jet, a private island far from the world's cares, or a Rolls-Royce to zip around towin in, it's all here waiting for you.

  • Sales Rank: #155697 in Books
  • Published on: 2014-10-15
  • Released on: 2014-10-15
  • Ingredients: Example Ingredients
  • Original language: German, English, French
  • Number of items: 1
  • Dimensions: 14.70" h x 1.30" w x 11.70" l, 1.76 pounds
  • Binding: Hardcover
  • 304 pages

Most helpful customer reviews

7 of 8 people found the following review helpful.
He loved it. It certainly inspires to see the level ...
By H. Callahan
Gift for my ambitious son heading to college. He loved it. It certainly inspires to see the level of passion, craftsmanship and pride that goes in to many of these "toys". I know some people would like see everyone shopping Walmart (I won't say Costco, they have great stuff!) and driving a Prius but this is a testament to free market capitalism at its best. Without these toys, legions of fine artists, designers, craftsmen and engineers would be out of work and the world would be a little less beautiful.
Generous coffee table conversation book! Would make a nice host gift as well.

0 of 0 people found the following review helpful.
luxury goods
By luis Bendana Jr
I like exclusive toys for men and first class service... L.B.

0 of 0 people found the following review helpful.
Great book
By lisa edstrom
Gorgeous book! My husband and sons loved it!

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Tuesday, May 3, 2011

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If There Be Thorns (Dollanganger Book 3), by V.C. Andrews

Now a major Lifetime movie event—Book Three of the Dollanganger series that began with Flowers in the Attic—the novel of forbidden love that captured the world’s imagination and earned V.C. Andrews a fiercely devoted fanbase.

They hide the shocking truth to protect their children. But someone who knows their dark secret is watching.

Christopher and Cathy have made a loving home for their handsome and talented teenager Jory, their imaginative nine-year-old Bart, and a sweet baby daughter. Then an elderly woman and her strange butler move in next door. The Old Woman in Black watches from her window, lures lonely Bart inside with cookies and ice cream, and asks him to call her “grandmother.” Slowly Bart transforms, each visit pushing him closer to the edge of madness and violence, while his anguished parents can only watch. For Cathy and Chris, the horrors of the past have come home…and everything they love may soon be torn from them.

  • Sales Rank: #41150 in eBooks
  • Published on: 2011-02-08
  • Released on: 2011-02-08
  • Format: Kindle eBook

Review
'Beautifully written, macabre and thoroughly nasty...it is evocative of the nasty fairy tales like Little Red Riding Hood and The Babes in the Wood, with a bit of Victorian Gothic thrown in. ... What does shine through is her ability to see the world through a child's eyes' Daily Express 'Makes horror irresistible' Glasgow Sunday Mail 'A gruesome saga...the storyline is compelling, many millions have no wish to put this down' Ms London 'There is strength in her books - the bizarre plots matched with the pathos of the entrapped' The Times

About the Author
One of the most popular authors of all time, V.C. Andrews has been a bestselling phenomenon since the publication of Flowers in the Attic, first in the renowned Dollanganger family series which includes Petals on the Wind, If There Be Thorns, Seeds of Yesterday, and Garden of Shadows. The family saga continues with Christopher’s Diary: Secrets of Foxworth, Christopher’s Diary: Echoes of Dollanganger, and Secret Brother. V.C. Andrews has written more than seventy novels, which have sold more than 106 million copies worldwide and been translated into twenty-five foreign languages. Join the conversation about the world of V.C. Andrews at Facebook.com/OfficialVCAndrews.

Excerpt. © Reprinted by permission. All rights reserved.
Chapter One: Jory
Whenever Dad didn't drive me home from school, a yellow school bus would let me off at an isolated spot where I would recover my bike from the nearest ravine, hidden there each morning before I stepped onto the bus.
To reach my home I had to travel a winding narrow road without any houses until I came to the huge deserted mansion that invariably drew my eyes, making me wonder who had lived there; why had they deserted it? When I saw that house I automatically slowed, knowing soon I'd be home.
An acre from that house was our home, sitting isolated and lonely on a road that had more twists and turns than a puzzle maze that leads the mouse to the cheese. We lived in Fairfax, Marin County, about twenty miles north of San Francisco. There was a redwood forest on the other side of the mountains, and the ocean too. Ours was a cold place, sometimes dreary. The fog would roll in in great billowing waves and often shrouded the landscape all day, turning everything cold and eerie. The fog was spooky, but it was also romantic and mysterious.
As much as I loved my home, I had vague, disturbing memories of a southern garden full of giant magnolia trees dripping with Spanish moss. I remembered a tall man with dark hair turning gray; a man who called me his son. I didn't remember his face nearly as well as I remembered the nice warm and safe feeling he gave me. I guess one of the saddest things about growing bigger, and older, was that no one was large enough, or strong enough, to pick you up and hold you close and make you feel that safe again.
Chris was my mother's third husband. My own father died before I was born; his name was Julian Marquet, and everyone in the ballet world knew about him. Hardly anyone outside of Clairmont, South Carolina, knew about Dr. Paul Scott Sheffield, who had been my mother's second husband. In that same southern state, in the town of Greenglenna, lived my paternal grandmother, Madame Marisha.
She was the one who wrote me a letter each week, and once a summer we visited her. It seemed she wanted almost as much as I did, for me to become the most famous dancer the world had ever known. And thus I would prove to her, and to everyone, that my father had not lived and died in vain.
By no means was my grandmother an ordinary little old lady going on seventy-four. Once she'd been very famous, and not for one second did she let anyone forget this. It was a rule I was never to call her Grandmother when others could overhear and possibly guess her age. She'd whispered to me once that it would be all right if I called her Mother, but that didn't seem right when I already had a mother whom I loved very much. So I called her Madame Marisha, or Madame M., just as everyone else did.
Our yearly visit to South Carolina was long anticipated during the winters, and quickly forgotten once we were back and safely snuggled in our little valley where our long redwood house nestled. "Safe in the valley where the wind doesn't blow," my mother said often. Too often, really -- as if the wind blowing greatly distressed her.
I reached our curving drive, parked my bike and went inside the house. No sign of Bart or Mom. Heck! I raced into the kitchen where Emma was preparing dinner. She spent most of her time in the kitchen, and that accounted for her "pleasingly plump" figure. She had a long, dour face unless she was smiling; fortunately, she smiled most of the time. She could order you to do this, do that, and with her smile take the pain from the ordeal of doing for yourself, which was something my brother Bart refused to do. I suspected Emma waited on Bart more than me because he spilled when he tried to pour his own milk. He dropped when he carried a glass of water. There wasn't anything he could hold onto, and nothing he could keep from bumping into. Tables fell, lamps toppled. If an extension wire was anywhere in the house Bart would be sure to snag his sneaker toes underneath and down he'd go -- or the blender, the mixer, or the radio, would crash to the floor.
"Where's Bart?" I asked Emma, who was peeling potatoes to put in with the roast beef she had in the oven.
"I tell you, Jory, I'll be glad when that boy stays in school just as long as you do. I hate to see him come in the kitchen. I have to stop what I'm doing and look around and anticipate just what he might knock off or bump into. Thank God he's got that wall to sit on. What is it you boys do up on that wall, anyway?"
"Nothing," I said. I didn't want to tell her how often we stole over to the deserted mansion beyond the wall and played there. The estate was off-limits to us, but parents weren't supposed to see and know everything. Next I asked "Where's Mom?" Emma said she'd come home early after cancelling her ballet class, which I already knew. "Half her class has colds," I explained. "But where is she now?"
"Jory, I can't keep my eye on everybody and still know what I'm doing. A few minutes ago she said something about going up to the attic for old pictures. Why don't you join her up there and help her search?"
That was Emma's nice way of saying I was in her way. I headed for the attic stairs, which were hidden in the far end of our large walk-in linen closet in the back hall. Just as I was passing through the family room I heard the front door open and close. To my surprise I saw my dad standing stock-stiff in the foyer, a strange look of reflection in his blue eyes, making me reluctant to call out and break into his thoughts. I paused, undecided.
He headed for his bedroom after he put down his black doctor's bag. He had to pass the linen closet with its door slightly ajar. He stopped, listening as I was to the faint sound of ballet music drifting down the stairs. Why was my mother up there? Dancing there again? Whenever I asked why she danced in such a dusty place, she explained she was "compelled" to dance up there, despite the heat and dust. "Don't you tell your father about this," she'd warned me several times. After I questioned her, she'd stopped going up there -- and now she was doing it again.
This time I was going up. This time I was going to listen to the excuses she gave him. For Dad would catch her!
On tiptoe I trailed him up the steep, narrow stairs. He paused directly under the bare electric bulb that hung down from the apex of the attic. He riveted his eyes upon my mom, who kept right on dancing as if she didn't see him there. She held a dustmop in one hand and playfully swiped at this or that, miming Cinderella and certainly not Princess Aurora from The Sleeping Beauty, which was the music she had on the ancient record player.
Gosh. My stepfather's heart seemed to jump right up into his eyes. He looked scared, and I sensed she was hurting him just by dancing in the attic. How odd. I didn't understand what went on between them. I was fourteen, Bart was nine, and we were both a long, long way from being adults. The love they had for each other seemed to me very different from the love I saw between the parents of the few friends I had. Their love seemed more intense, more tumultuous, more passionate. Whenever they thought no one was watching they locked eyes, and they had to reach out and touch whenever they passed one another.
Now that I was an adolescent, I was beginning to take more notice of what went on between the most meaningful models I had. I wondered often about the different facets my parents had. One for the public to view; another for Bart and me, and the third, most fervent side, which they showed only to each other. (How could they know their two sons were not always discreet enough to turn away and leave like they should?)
Maybe that was the way all adults were, especially parents.
Dad kept staring as Mom whirled in fast pirouettes that fanned her long blonde hair out in a half circle. Her leotards were white, her pointes white too, and I was enthralled as she danced, wielding that dust-mop like a sword to stab at old furniture that Bart and I had outgrown. Scattered on the floor and shelves were broken toys, kiddy-cars and scooters, dishes she or Emma had broken that she meant to glue back together one day. With each swipe of her dustmop she brought zillions of golden dustmotes into play. Frenzied and crazy they struggled to settle down before she attacked again and once more drove them into flight.
"Depart!" she cried, as a queen to her slaves. "Go and stay away! Torment me no more!" -- and round and round she spun, so fast I had to turn to follow her with my eyes or end up dizzy just from watching. She whipped her head, her leg, doing fouettes with more expertise than I'd seen on stage. Wild and possessed she spun faster! faster! keeping time to the music, using the mop as part of her action, making housework so dramatic I wanted to kick off my shoes and jump in and join her and be the partner my real father had once been. But I could only stand in the dim purplish shadows and watch something I sensed I shouldn't be watching.
My dad swallowed over the lump which must have risen in his throat. Mom looked so beautiful, so young and soft. She was thirty-seven, so old in years but so young in appearance, and so easily she could be wounded by an unkind word. Just as easily as any sixteen-year-old dancer in her classes.
"Cathy!" cried Dad, jerking the needle from the record so the music screeched to a halt. "STOP! What are you doing?"
She heard and fluttered her slim pale arms in mock fright, flittering toward him, using the tiny, even steps called bourrés. For a second or so only, before she was again spinning in a series of pirouettes around him, encircling him-and swiping at him with her dustmop! "STOP IT!" he yelled, seizing hold of her mop and hurling it away. He grabbed her waist, pinioning her arms to her sides as a deep blush rose to stain her cheeks. He released his hold enough to allow her arms to flutter like broken bird wings so her hands could cover her throat. Above those crossed pale hands her blue eyes grew larger and very dark. Her full lips began to quiver, and slowly, slowly, with awful reluctance she was forced to look where Dad's finger pointed.
I looked too and was surprised to see two twin beds set up in the portion of the attic that was soon to be under construction. Dad had promised her we'd have a recreation room up here. But twin beds in all this junk? Why?
Mom spoke then, her voice husky and scared. "Chris? You're home? You don't usually come home this early..."
He'd caught her and I was relieved. Now he could straighten her out, tell her not to dance up here again in the dry, dusty air that could make her faint. Even I could see she was having trouble coming up with some excuse.
"Cathy, I know I brought those bedsteads up, but how did you manage to put them together?" Dad shot out. "How did you manage the mattresses?" Then he jolted for a second time, spying the picnic hamper between the beds. "Cathy!" he roared, glaring at her. "Does history have to repeat itself? Can't we learn and benefit from the mistakes of others? Do we have to do it all over again?"
Again? What was he talking about?
"Catherine," Dad went on in the same cold, hard voice, "don't stand there and try to look innocent, like some wicked child caught stealing. Why are those beds here, all made up with clean sheets and new blankets? Why the picnic hamper? Haven't we seen enough of that type of basket to last us our whole lives through?"
And here I was thinking she'd put the beds together so she and I could have a place to fall down and rest after we danced, as we had a few times. And a picnic hamper was, after all, just another basket.
I drifted closer, then hid behind a strut that rose to the rafters. Something sad and painful was between them; something young, fresh, like a raw wound that refused to heal. My mother looked ashamed and suddenly awkward. The man I called Dad stood bewildered; I could tell he wanted to take her in his arms and forgive her. "Cathy, Cathy," he pleaded with anguish, "don't be like her in every way!"
Mom jerked her head high, threw back her shoulders, and, with arrogant pride, glared him down. She flipped her long hair back from her face and smiled to charm him. Was she doing all of that just to make him stop asking questions she didn't want to answer?
I felt strangely cold in the musty gloom of the attic. A chilling shiver raced down my spine, making me want to run and hide. Making me ashamed, too, for spying -- that was Bart's way, not mine.
How could I escape without attracting their attention? I had to stay in my hidden place.
"Look at me, Cathy. You're not the sweet young ingenue anymore, and this is not a game. There is no reason for those beds to be there. And the picnic basket only compounds my fears. What the hell are you planning?"
Her arms spread wide as if to hug him, but he pushed her away and spoke again: "Don't try to appeal to me when I feel sick to my stomach. I ask myself each day how I can come home and not be tired of you, and still feel as I do after so many years, and after all that has happened. Yet I go on year after year loving you, needing and trusting you. Don't take my love and make it into something ugly!"
Bewilderment clouded her expression. I'm sure it clouded mine too. Didn't he truly love her? Was that what he meant? Mom was staring at the beds again, as if surprised to see them there.
"Chris, help me!" she choked, stepping closer and opening her arms again. He put her off, shaking his head. She implored, "Please don't shake your head and act like you don't understand. I don't remember buying the basket, really I don't! I had a dream the other night about coming up here and putting the beds together, but when I came up today and saw them, I thought you must have put them there."
"Cathy! I DID NOT PUT THE BEDS THERE!"
"Move out of the shadows. I can't see you where you are." She lifted her small pale hands, seeming to wipe away invisible cobwebs. Then she was staring at her hands as if they'd betrayed her -- or was she really seeing spiderwebs tying her fingers together?
Just as my dad did, I looked around again. Never had the attic been so clean before. The floor had been scrubbed, cartons of old junk were stacked neatly. She had tried to make the attic look homey by hanging pretty pictures of flowers on the walls.
Dad was eyeing Mom as if she were crazy. I wondered what he was thinking, and why he couldn't tell what bothered her when he was the best doctor ever. Was he trying to decide if she was only pretending to forget? Did that dazed, troubled look in her terrified eyes tell him differently? Must have, for he said softly, kindly, "Cathy, you don't have to look scared. You're not swimming in a sea of deceit anymore, or helplessly caught in an undertow. You are not drowning. Not going under. Not having a nightmare. You don't have to clutch at straws when you have me." Then he drew her into his arms as she fell toward him, grasping as if to keep from drowning. "You're all right, darling," he whispered, stroking her back, touching her cheeks, drying the tears that began to flow. Tenderly he tilted her chin up before his lips slowly lowered to hers. The kiss lasted and lasted, making me hold my breath.
"The grandmother is dead. Foxworth Hall has been burned to the ground."
Foxworth Hall? What was that?
"No, it hasn't, Chris. I heard her climbing the stairs a short while ago, and you know she's afraid of small, confined places -- how could she climb the stairs?"
"Were you sleeping when you heard her?"
I shivered. What the devil were they talking about? Which grandmother?
"Yes," she murmured, her lips moving over his face. "I guess I did drift into nightmares after I finished my bath and lay out on the bedroom patio. I don't even remember climbing the stairs up here. I don't know why I come, or why I dance, unless I am losing my mind. I feel I am her sometimes, and then I hate myself!"
"No, you're not her, and Momma is miles and miles away where she can never hurt us again. Virginia is three thousand miles from here, and yesterday has come and gone. Ask yourself one question whenever you are in doubt -- if we could survive the worst, doesn't it stand to reason we should be able to bear the best?"
I wanted to run, wanted to stay. I felt I, too, was drowning in their sea of deceit even when I didn't understand what they were talking about. I saw two people, my parents, as strangers I didn't know -- younger, less strong, less dependable.
"Kiss me," Mom murmured. "Wake me up and chase away the ghosts. Say you love me and always will, no matter what I do."
Eagerly enough he did all of that. When he had her convinced, she wanted him to dance with her. She replaced the needle on the record and again the music soared.
Shriveled up tight and small, I watched him try to do the difficult ballet steps that would have been so easy for me. He didn't have enough skill or grace to partner someone as skilled as my mom. It was embarrassing to even see him try. Soon enough she put on another record where he could lead.
Dancing in the dark,
'Til the tune ends, we're dancing in the dark.
Now Dad was confident, holding her close, his cheek pressed to hers as they went gliding around the floor.
"I miss the paper flowers that used to flutter in our wake," she said softly."And down the stairs the twins were quietly watching the small black-and-white TV set in the corner." His eyes were closed, his voice soft and dreamy. "You were only fourteen, and I loved you even then, much to my shame."
Shame? Why?
He hadn't even known her when she was fourteen. I frowned, trying to think back to when and where they'd first met. Mom and her younger sister, Carrie, had run away from home soon after Mom's parents were killed in an auto accident. They'd gone south on a bus and a kind black woman named Henny had taken them to her employer Dr. Paul Sheffield, who had generously taken them in and given them a good home. My mom had started ballet classes again and there she had met Julian Marquet -- the man who was my father. I was born shortly after he was killed. Then Mom married Daddy Paul. And Daddy Paul was Bart's father. It had been a long, long time before she met Chris, who was Daddy Paul's younger brother. So how could he have loved her when she was fourteen? Had they told us lies? Oh gosh, oh gosh...
But now that the dance was over, the argument began again: "Okay, you're feeling better, yourself again," Dad said. "I want you to solemnly promise that if anything ever happens to me, be it tomorrow, or years from now, you swear that you will never, so help you God, hide Bart and Jory in the attic so you can go unencumbered into another marriage!"
Stunned, I watched my mom jerk her head upward before she gasped: "Is that what you think of me? Damn you for thinking I am so much like her! Maybe I did put the beds together. Maybe I did bring the basket up here. But never once did it cross my mind to...to...Chris, you know I wouldn't do that!"
Do what, what?
He made her swear. Really forced her to speak the words while her blue eyes glared hot and angry at him all the while.
Sweating now, hurting too, I felt angry and terribly disillusioned in my dad, who should know better. Mom wouldn't do that. She couldn't! She loved me. She loved Bart too. Even if she did look at him sometimes with shadows in her eyes, still she would never, never hide us away in this attic.
My dad left her standing in the middle of the attic as he strode forward to seize the picnic hamper. Next he unlatched, then pushed open the screen and hurled the basket out the open window. He watched it fall to the ground before once more turning to confront my mom angrily:
"Perhaps we are compounding the sins of our parents by living together as we are. Perhaps in the end both Jory and Bart will be hurt -- so don't whisper to me tonight when we're in bed about adopting another child. We cannot afford to involve another child in the mess we've made! Don't you realize, Cathy, that when you put those beds up here you were unconsciously planning what to do in case our secret is exposed?"
"No," she objected, spreading her hands helplessly. "I wouldn't. I couldn't do that..."
"You have to mean that!" he snapped. "No matter what happens, we will not, or you will not, put your children in this attic to save yourself, or me."
"I hate you for thinking I would!"
"I am trying to be patient. I am trying to believe in you. I know you still have nightmares. I know you are still tormented by all that happened when we were young and innocent. But you have to grow up enough to look at yourself honestly. Haven't you learned yet that the subconscious often leads the way to reality?"
He strode back to cuddle her close, to soothe and kiss her, to soften his voice as she clung to him desperately. (Why did she have to feel so desperate?)
"Cathy, my heart, put away those fears instilled by the cruel grandmother. She wanted us to believe in hell and its everlasting torments of revenge. There is no hell but that which we make for ourselves. There is no heaven but that which we build between us. Don't chip away at my belief, my love, with your 'unconscious' deeds. I have no life without you."
"Then don't go to see your mother this summer."
He raised his head and stared over hers, pain in his eyes. I slid silently on the floor to sit and stare at them. What was going on? Why was I suddenly so afraid?

Copyright © 1981 by Virginia Andrews

Most helpful customer reviews

1 of 1 people found the following review helpful.
One Messed Up Family!
By L-Booknerd
I have become obsessed with this series, as of late. As strange as I find this story, it is still one of the greatest! This is the third book to the Dollanganger Series. Unlike the previous books, this one is told from Jory and Bart’s POVs. Which was weird starting out, but then it started to make sense. Jory’s POV, however, could have been avoided in my opinion. I found it hard to really care about his thoughts and actions. Bart is a whole other story. You get to understand how finding out unbelievable, horrific secrets about your loved ones, can really transform a person into someone unrecognizable. Children are sponges. Yes, they soak up information, but how does that information register to a child who finds out that his whole life has been one big lie? I felt so bad for Bart and his inner turmoil to try to make sense of the secrets he learned about his parents and grandparents. He became so lost and it really broke my heart when he started acting out violently.

The mystery of the woman in black wasn’t much of a mystery to me. I saw it for what it was as soon as the lights came on next door. That did not keep me from being engrossed in this train wreck of a family and the disastrous consequences of secrets, lies, deception, incest, and a plethora of other nouns not to be mentioned. Wow, this is one messed up family but I can’t get enough. Does that make me a bad person if I find joy in reading about such things? No, that makes the author a great story teller and I am along for the ride until the end. If you haven’t read this series, or seen the movies (Lifetime), then please do. They are cringe worthy but so good that you won’t put them down. Definitely recommend!

2 of 2 people found the following review helpful.
going back n forth on 3 vs 4 stars
By T. Simmons
First off I hated & loved this book.
I'm almost sorry I started rereading this series. It started because I realized I never read Garden of Shadows, which I really liked & I should have stopped there. (Not re-hash the past so to speak)
Second! At the end Chris and Cathy's mom Corrine said she married John Amos Jackson because she was blackmailed or threatened or whatever. (Not Romantic)
Isn't he her 3rd cousin on her mom Olivia's side? I get they are not blood related bc her real mom is Alicia. Whew! The whole devil spawn thing, I didn't know if John Amos knew that Olivia wasn't her birth mother. ??? (He knew everything else)
****Why? Why? Why? Did Olivia & Malcolm's secret about who Corrine's real mom was never reviled ?? That was a secret that the 3 of them took to their grave (3rd being Alicia; Malcolm Sr.'s 2nd wife)
Get over Chris & Cathy being "together""together" I swear there is something about their "sinful relationship" in every other chapter, 3 out of 5 books it's that way! Its like digging up a dead dog (and we have 2 dead dogs & a kitten in this book) we get it but my good golly, really? Ugh!z
Bart has issues, a lot of them, blame Cathy for not being a mom to him. He was conceived out of revenge, yes she loved Bart Sr. but hated her mom more. She didn't hurt her mom, she hurt her son, sorry excuse.
If she didn't want the baby (Bart) she could have given him to her mom Corrine who really did love him (maybe the only one)
I would never live with a child that scared me, that hurt other family members & pulling a knife on people.... Nope Loony Bin admitting one.
But like all the books, so many things left unanswered....

2 of 2 people found the following review helpful.
I read it willingly, but couldnt wait for it to be over.....
By Amazon Customer
Like so many other reviews for these books, I am not going to summarize the story and give away the ending.....just my personal opinion of how I related to the story.....

When I first read this in my early 20s, I couldn't put any of the books in this series down. Prompted by the lifetime movie remake for "Flowers...", I decided to reread the series since I remembered enjoying them so much. But now that I'm in my mid 40's, I just didn't enjoy this book as much. Perhaps it's my age, my increased educational level since then, or that I am a mother of 2 daughters. If either of my children acted as Bart does, there would be some discipline. The reader just wants to shake Cathy and Chris and say wake up for the sake of the kids! As for the chapters that have Bart narrating, I couldn't stand. He really got under my skin. I guess that would indicate the author is talented enough to make the reader hate a character that much. But I hated him so much I had to force myself to continue to read the book.

Also, since the ebook before this one had a lot of typos and grammatical errors, I found myself focusing more on looking to see if this ebook was just as bad. In all I counted 18 typos for mispelled words, etc throughout this book. They even mispelled Bart one time as "Bard". Very disappointing to pay money for a well known published book that has this many errors.

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