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Instant New York Times Bestseller
“Unimpeachably terrific.” —The New York Times Book Review
One of CBS This Morning’s 6 “Must-Have Titles for Your Summer Reading List”
The publishing phenomenon topping bestseller lists around the world, with sales of more than two million copies in Europe and rights sold in more than forty countries, The Truth About the Harry Quebert Affair is a fast-paced, tightly plotted, cinematic literary thriller, and an ingenious book within a book, by a dazzling young writer.
August 30, 1975: the day fifteen-year-old Nola Kellergan is glimpsed fleeing through the woods, never to be heard from again; the day Somerset, New Hampshire, lost its innocence.
Thirty-three years later, Marcus Goldman, a successful young novelist, visits Somerset to see his mentor, Harry Quebert, one of the country’s most respected writers, and to find a cure for his writer’s block as his publisher’s deadline looms. But Marcus’s plans are violently upended when Harry is suddenly and sensationally implicated in the cold-case murder of Nola Kellergan—whom, he admits, he had an affair with. As the national media convicts Harry, Marcus launches his own investigation, following a trail of clues through his mentor’s books, the backwoods and isolated beaches of New Hampshire, and the hidden history of Somerset’s citizens and the man they hold most dear. To save Harry, his own writing career, and eventually even himself, Marcus must answer three questions, all of which are mysteriously connected: Who killed Nola Kellergan? What happened one misty morning in Somerset in the summer of 1975? And how do you write a book to save someone’s life?
- Sales Rank: #36342 in Books
- Brand: Penguin Books
- Published on: 2014-05-27
- Released on: 2014-05-27
- Format: Deckle Edge
- Original language: English
- Number of items: 1
- Dimensions: 8.36" h x 1.34" w x 5.63" l, 1.31 pounds
- Binding: Paperback
- 656 pages
Features
Amazon.com Review
An Amazon Best Book of the Month, May 2014: A successful young author suffering from writer’s block journeys to New Hampshire to visit his former professor. Shortly after he arrives, the bones of a girl are found buried in the professor’s backyard. Now the professor has been arrested for the murder of the girl--who disappeared in 1975 at the age of fifteen--and the author has an idea: he will write a book based on the case that will ultimately exonerate his professor and jumpstart his writing. Already a massive best seller in Europe (and translated into 32 languages), The Truth About the Harry Quebert Affair arrives in North America amid such wild praise you might expect something groundbreaking. Instead, what you get is a wonderful, fun, and boisterous read, a book with an uncanny ability to both fascinate and amuse you. Twists and turns and oddball characters make this a rollicking bullet-train of a novel. --Chris Schluep
From Booklist
This best-selling, award-winning, French literary thriller from a 28-year-old Swiss author has arrived in the U.S. with fanfare not heard since The Girl with the Dragon Tattoo. So what is all the fuss about? That’s puzzling. Jumping back and forth in time from 1975 to 2008, the novel is narrated by Marcus Goldman, a twentysomething writer whose first book was a smashing success but who is suffering from writer’s block at the prospect of penning a follow-up. He travels to rural New Hampshire to visit his former professor and mentor, Harry Quebert, whose first novel was also a best-seller and brought him instant celebrity. But in the midst of the reunion, the body of a 15-year-old girl is discovered on Quebert’s property and Quebert is arrested for murder. Goldman sets out to prove his mentor innocent, and in the process he writes his long-delayed second book, The Truth about the Harry Quebert Affair, which becomes even more successful than his first. With a plethora of suspects, readers are certain to be caught up in the drama—by the the time the book ends, nearly every major character in the story has taken a turn as the likely killer. Beyond the whodunit aspect, however, readers may find themselves shaking their heads at the almost cartoonish characterizations and soap-operatic dialogue. The real mystery here is why we keep reading—but, for some reason, we do. --Bill Ott
Review
Worldwide Acclaim for The Truth About the Harry Quebert Affair
U.S.
One of Us Weekly’s 4 “Stories for a Sunny Escape”
One of The Hollywood Reporter’s “10 Hot Summer Beach Reads”
One of Minneapolis Star Tribune’s “5 Mysteries You Must Read”
One of Parade’s “20 Best Summer Books”
One of Houston Chronicle’s “21 Summer Book Recommendations”
One of New York Post’s “29 Best Books of the Summer”
One of Tampa Bay Times’s “Best Books for Summer Reading”
One of Milwaukee Journal Sentinel’s “Best Books for Your Summer Reading List”
One of The Daily Beast’s “Hot Reads”
“Unimpeachably terrific . . . A playful, page-turning whodunit . . . If Norman Mailer had been accused of murder and Truman Capote had collaborated with Dominick Dunne on a tell-all about it, the result might have turned out something like this. Though I suspect this version may be funnier. . . . It’s [Dicker’s] light touch and engaging voice that make the writing so infectious, and will probably make it a best seller here as well.” —Chelsea Cain, The New York Times Book Review
“I haven’t had a suspense novel surprise me like this one in a long time. Joël Dicker is a bright new star of suspense, and he proves his serious chops with this utterly thrilling, delightfully twisted, continually shocking novel. I can’t wait to read what he writes next!” —Lisa Gardner, #1 New York Times bestselling author of Fear Nothing
“A dazzling thriller—stunningly original and brilliantly plotted, down to the very last twists. It’s a murder mystery, a literary puzzle, and a love story, all ingeniously woven into a masterly novel of suspense. Joël Dicker is an enormous talent, and this book is extraordinary.” —Linda Fairstein, New York Times bestselling author of Death Angel
“Talk about a web of treason and danger: This one unfolds with a relentless sense of urgency and pulse-pounding escapades, entertaining at every turn. Absolutely rousing.” —Steve Berry, New York Times bestselling author of The King’s Deception
“Planes, trains and automobiles: You’ll see people reading this book everywhere. An amazing debut and wonderful summer read from a writer to watch.” —Michael Harvey, bestselling author of The Chicago Way
“The great American crime novel . . . A breakneck thriller.” —Details
“A terrific read . . . Entertaining . . . Cleverly constructed . . . It’s compelling, challenging, sometimes even funny. The characters are finely drawn. . . . It keeps you, as they say of movies, ‘on the edge of your seat.’ ” —The Huffington Post
“An intense, well-crafted mystery . . . This is a big book with a small cast, lots of layers with a variety of suspects who have the means, the motive and the opportunity. . . . Come for the big, literary mystery, and brag about the prizes when you’re done. Vacation time at a Somerset mansion not included.” —KQED, “Great Lit Perfect for Summer Reading”
“Entertainingly pulled off . . . Enjoyable . . . It churns along at such a good clip and is rendered with such high emotion and apparent deep conviction that it’s easy to see why it was a bestseller in Europe. It’s likely to be one in this country, too.” —The Washington Post
“A wonderful, fun, and boisterous read, a book with an uncanny ability to both fascinate and amuse you. Twists and turns and oddball characters make this a rollicking bullet-train of a novel.” —Amazon.com, Best Book of the Month
“A highly entertaining mash-up of melodrama, metafiction and mystery [with] a slick page-turning plot.” —Minneapolis Star Tribune
“Charmingly off-kilter . . . Sure-footed . . . No wonder it’s already a best seller in Europe.” —The Daily Beast
“[A] funny, plot-twisting mystery.” —Women’s Day, “New Favorites from the Women’s Day Staff”
“Stunning . . . Fast-paced, tightly plotted . . . From page one, you’ll be hooked on this fascinating mystery of love and deception.” —National Examiner
“Smart and fun.” —Houston Chronicle
“A clever, tightly plotted thriller with a comic edge.” —Tampa Bay Times
“A unique thriller . . . A page-turning police procedural . . . This dramatic, original first novel has made Joël Dicker a famous writer in Europe, and may do so in America as well.” —Concord Monitor
“Moves at break-neck speed . . . I enjoyed it and got wrapped in its ambitious, multi-layered story.” —Oline Cogdill, Mystery Scene
“A sensational story, imaginatively related. . . . Dicker does what every gifted crime writer does: he makes the reader slowly realize that there are any number of potential killers. . . . It’s first-rate deception. . . . [You’ll] be surprised again and again [and] find yourself reading faster and faster. Dicker has clearly mastered the art of creating suspense.” —CounterPunch
“Fast-paced . . . Dynamic . . . A captivating murder mystery as well as a compelling love story.” —Shepherd Express
“Is Harry worth the hype? I have to say ‘yes.’ . . . It’s 600-plus pages that I kept reading. . . . The plot has more dark twists and turns than a drug lord’s tunnel. . . . Nothing—repeat—nothing is as it seems. . . . We are completely hooked.” —Irma Helman, Open Letters Monthly
“An ambitious, multilayered novel of suspense . . . This tale of fame, friendship, loyalty, and fiction versus reality moves at warp speed.” —Publishers Weekly, starred review
“This sprawling, likable whodunit [is] obvious ballast for the summer’s beach totes. . . . Dicker keeps the prose simple and the pace snappy in a plot that winds up with more twists than a Twizzler. . . . [An] entertaining debut thriller.” —Kirkus Reviews
“Tantalizing . . . Compelling . . . There is a Twin Peaks–like fascination to the story of Nola Kellergan. . . . Readers are certain to be caught up in the ongoing drama of who killed Nola among the plethora of suspects.” —Booklist
England
“The cleverest, creepiest book you’ll read this year . . . The most talked-about French novel of the decade . . . Breathtakingly plotted . . . Addictively fast . . . It’s like Twin Peaks meets Atonement meets In Cold Blood. . . . The New England setting [is] immersively convincing. . . . Very few foreign-language novels make big waves in Anglophone countries, but this one seems genuinely likely to buck the trend.” —The Telegraph
“Spellbinding . . . a top-class literary thriller . . . It is maddeningly, deliciously impossible to guess the truth.” —The Times
“A phenomenon . . . A page-turner . . . Compulsively easy to read.” —The Observer
“With enough plot twists to fill a truck, it is a racy read. . . . Part master-and-disciple tale, part whodunnit, Mr. Dicker’s thriller is also a postmodern confabulation of timelines and stories, in the manner of Kate Atkinson’s Life After Life.” —The Economist
“[An] In Cold Blood–style investigation of a Twin Peaks–like town . . . A smart, immensely readable, impressively plotted page-turner [that] keeps the surprises coming right up to the closing pages. . . . An immersive, propulsive, continually wrongfooting twister of a tale, it should delight any reader who has felt bereft since finishing Gone Girl, or Stieg Larsson’s Millennium Trilogy.” —Metro
“A seductive read—big, assertive and clever . . . Expertly told . . . Hard to resist . . . Well-crafted and highly enjoyable.” —The Independent
“Dicker has the first-rate crime novelist’s ability to lead his readers up the garden path. . . . An excellent story.” —Sunday Express
“[It] does well . . . what all good thrillers should: it twists and turns. . . . [It] has the pleasing spryness of one of Jessica Fletcher’s outings [in Murder, She Wrote]. . . . Just like a [Harlan] Coben novel, it’s very enjoyable.” —The Guardian
“A scintillating, page-turning debut . . . Expertly paced . . . tautly written . . . A powerful novel about passion, jealousy, family, redemption, friendship and love, The Truth About the Harry Quebert Affair is a Great American Novel—written by a European.” —The Bookseller
Australia
“Fabulous, clever stuff . . . This extraordinary thriller . . . grabs you, its characters so intriguingly flawed and pulsating that you simply can’t stop reading. . . . The real genius of this work is in its incredible construction, diving forwards and backwards with multiple storytellers.” —The Australian Women’s Weekly
France
“If you dip your toes into this major novel, you’re finished: you won’t be able to keep from sprinting through to the last page. You will be manipulated, thrown off course, flabbergasted and amazed by the many twists and turns, red herrings and sudden changes of direction in this exuberant story.” —Le Journal du Dimanche
“A funny, intelligent, breathtaking book within a book . . . There is a real joy in discovering this extraordinary novel.” —Lire
“A master stroke . . . A crime novel with not one plot line but many, full of shifting rhythms, changes of course and multiple layers that, like a Russian doll, slot together beautifully . . . In maestro form, Dicker alternates periods and genres (police reports, interviews, excerpts from novels) and explores America in all its excesses—media, literary, religious—all the while questioning the role of the literary writer.” —L’Express
“The success story of the literary season . . . An American thriller reminiscent of the best work of Truman Capote.” —Paris-Match
“Dizzying, like the best American thrillers . . . Rich in subplots and twists, moving backwards and forwards in time, containing books within books.” —Le Figaro
Italy
“After The Truth About the Harry Quebert Affair, the contemporary novel will no longer be the same. Verdict: summa cum laude. . . . A beautiful novel.” —Corriere della Sera
“Narrative talent is about making a work of art out of life. Dicker has got it.” —Vanity Fair
Germany
“A book within a book, a crime novel, a love story. Extraordinary.” —Cosmopolitan
“Brilliantly narrated.” —Stern
Switzerland
“A novel with all the ingredients of a global bestseller.” —Die Zeit
The Netherlands
“A story brimming with such intelligence and subtlety that you can only regret that it has to end. A novel that works on so many levels: a crime story, a love story, a comedy of manners, but equally an incisive critique of the art of the modern author.” —Elsevier
“A novel that calls to mind the journalistic investigations of Truman Capote, the murder plots of Donna Tartt and the romantic scandal of Nabakov’s Lolita.” —NRC NEXT
“Packed with action, psychological drama and . . . extraordinary suspense.” —NRC Handelsblad
“Captivating and enchanting . . . a true literary adventure.” —Algemeen Dagblad
“Wonderful dialogue, colorful characters, breathtaking twists and a plot that allows no pause for breath . . . Everything is perfectly woven together to create an irresistible story in which absolutely nothing is as it seems.” —Trouw
Spain
“Never have I felt so compelled to recommend a book this highly. . . . I was mesmerized and fascinated long after I had finished reading. . . . It has echoes of Twin Peaks and Death on the Staircase, John Grisham, Psycho, The Exorcist, and The Hotel New Hampshire by John Irving.” —La Vanguardia
“This book will be celebrated and studied by future writers. It is a model thriller.” —El Periódico de Catalunya
“Masterful . . . The great thriller that everyone has been waiting for since the Millennium Trilogy of Stieg Larsson.” —El Cultural de El Mundo
Most helpful customer reviews
11 of 11 people found the following review helpful.
Could have been good
By J. Stainbrook
This started off as a 5 star page turner for me. I was about to e-mail enthusiastic recommendations to friends when it rapidly descended through the stars to end up a one star by the end. At one point I was so concerned about my reaction to this book that I went to the NY Times looking for confirmation that this is a truly awful book, but no, the NY Times loved it. However, Chelsea Cain, the reviewer did note that it was "impeccably translated" from the French and that may be part of the problem, because the absurdity of the dialogue was a large part of my problem. No one talks the way these people talk, and sometimes dialogue shouldn't be "impeccably" translated. Unfortunately dialogue carries much of the book.
I completely agree with the Amazon reviewer who complained that no thirty year old acts like Harry Quebert and that he acts more like fifteen, the age of his female love interest, In fact NO ONE acts like Harry Quebert or like the policeman who enlists the help of the protagonist to help him solve the murder of Harry's girl friend. Seriously??? A policeman takes a twenty-six year old novelist as his partner and shares the whole case with him??
This was really a dreadful book. I can't understand the glowing reviews. I tried to take it as a spoof on crime books and it didn't work that way either. I would definitely give this one a pass. The only reason I gave it two stars is because I thought the beginning was promising, otherwise the last two thirds were a one star. Also I thought the basic plot, with different character development, could have been good in the hands of a competent writer with a competent editor. That just didn't happen here.
3 of 3 people found the following review helpful.
Intriguing mystery but undeserving of such high accolades
By Froda
I really don't know what to think about this book. Supposed to be written by a best selling author about Harry Quebert his mentor and another best selling author. But the extracts of both writers which are included in the book seem to me to be trite, trashy and very juvenile. However, the mystery was sufficient to keep me reading.
Harry Quebert was Marcus Goldman's professor who encouraged his writing talent and they developed a close friendship that continued long after school.
In 1975 a 15 year old schoolgirl disappeared. The investigation at the time drew a blank until, 30 years later her remains were discovered in the garden of Harry's home. Harry tells Marcus that he was in love with her and that his best novel told their love story. Suspicion falls on Harry and he is imprisoned and on death row. But Marcus is determined to clear Harry's name and begins his investigation into the mystery. There are several possibilities and the book takes several surprising twists and turns. Although the book has received many accolades, there are also reviewers on Amazon with whom I agree – “amateurish writing, dreadful prose, badly written with ridiculous characters and cringe worthy dialogue.”
4 of 4 people found the following review helpful.
"Quebert" is a decent summertime read, but is marred by unconvincing dialogue, excessive length, and too many plot twists
By Math Blogger
"Quebert Affair" is generally competently written, at times compelling, and occasionally touching. It is rarely exciting and is overlong and full of red-herrings. I personally am not fond of frequent skips in time (forward and backward), setting and perspective, which is basically how the book is constructed. New information is often introduced, followed by a flashback with more detail. This really pads out the book and is occasionally annoying.
The book has two main characters: the narrator and his mentor Harry Quebert. I didn't find either of them particularly sympathetic or even realistic. The loss of Harry Quebert's "soul mate", the murdered Nola, is very sad of course, but returning to his grief over and over becomes, at least for me, tedious. Nola herself is very sketchy, and is the subject of all sorts of changes, doubts and psychological revisions
Perhaps it is the translation, but I found the dialogue naive and unconvincing, the writing "advice" usually superficial, and the sexual references basically self-conscious, ambiguous (especially with respect to Harry and Nola), definitely unexciting, and actually quite old-fashioned.
The frequent plot twists ("red herrings" mentioned above) are clever at first, but after a while I simply ignored any hints the author offered since it was clear they were not to be trusted, since new information was almost certainly to be introduced rendering them "inoperative".
Nevertheless, the book is a pretty good summertime distraction, which is, after all, why I purchased it (Kindle edition). I don't think it will become a classic.
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