Thursday, July 31, 2014

[Q188.Ebook] Ebook OCA Oracle Database 11g SQL Fundamentals I Exam Guide: Exam 1Z0-051 (Oracle Press), by John Watson, Roopesh Ramklass

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OCA Oracle Database 11g SQL Fundamentals I Exam Guide: Exam 1Z0-051 (Oracle Press), by John Watson, Roopesh Ramklass



OCA Oracle Database 11g SQL Fundamentals I Exam Guide: Exam 1Z0-051 (Oracle Press), by John Watson, Roopesh Ramklass

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OCA Oracle Database 11g SQL Fundamentals I Exam Guide: Exam 1Z0-051 (Oracle Press), by John Watson, Roopesh Ramklass

A Fully Integrated Study System for OCA Exam 1Z0-051

Prepare for the Oracle Certified Associate Oracle Database 11g: SQL Fundamentals I exam with help from this exclusive Oracle Press guide. In each chapter, you'll find challenging exercises, practice questions, a two-minute drill, and a chapter summary to highlight what you've learned. This authoritative guide will help you pass the test and serve as your essential on-the-job reference. Get complete coverage of all OCA objectives for exam 1Z0-051, including:

  • SQL SELECT statements
  • Restricting and sorting data
  • Single-row functions
  • Conversion functions and conditional expressions
  • Group functions
  • Displaying data from multiple tables
  • Subqueries
  • Set operators
  • DML and DDL statements
  • Schema objects

On the CD-ROM:

  • One full practice exam that simulates the actual OCA exam
  • Detailed answers and explanations
  • Score report performance assessment tool
  • Complete electronic book
  • Bonus exam available free with online registration

  • Sales Rank: #379640 in Books
  • Published on: 2008-06-19
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x 1.20" w x 7.50" l, 2.29 pounds
  • Binding: Paperback
  • 581 pages

About the Author

John Watson, OCP, is a senior consultant with BLP management Consultants and taught for Oracle University in South Africa for four years. He is the coauthor of Oracle Database 10g OCP Certification All-in-One Exam Guide.

Roopesh Ramklass, OCP, is a technical specialist with 10 years of experience in a wide variety of IT environments.

Most helpful customer reviews

2 of 2 people found the following review helpful.
Not enough
By M. Antillon
I got this book in hopes of preparing me virtually 100% for my exam -_-
It has most of the info needed and covers all the basics in a nice manner. The practice problems are great. However, the exam is more advanced than what is presented in this book and I ended up gathering questions online to practice for the exam because this alone didn't do it. Good thing to have the practice CD but if you plan on taking the test, my suggestion is to look for specific 1z0-051 exam questions online as well.

7 of 7 people found the following review helpful.
Fair Study Guide for Exam, Lacking Depth
By gburgalum01
I purchased this book in preparation for the Oracle Database 11g SQL Fundamentals 1 Exam. While the breadth of the material is good as it covers every topic on the exam, the presented examples are extremely simplified and often present a concept in its most basic form. In addition, the exercise questions at the end of each chapter are much too simplified. I downloaded a practice exam from Transcender and was amazed at the difference in complexity between the questions and exams provided by the book and those from Transcender. If you are taking the exam, the questions in the book as well as the exams will not fully prepare you for the exam. I highly recommend purchasing additional practice exams from Transcender; they have the look and feel of actual Oracle exam questions. I did find the study text in this book extremely useful and would recommend it in conjunction with some other study aid.

7 of 7 people found the following review helpful.
Very basic.
By U. Cetin
This book is an Introduction to SQL level book. If you know SQL a little bit, you will get very little out of this book. The chapters don't go into detail and the questions seem to be dumbed down - they don't look like realistic certification exam questions. Although it is not a certification book, if you would like to learn Oracle SQL I recommend Oracle SQL by Example (by Alice Rischert). This is one of the best book on Oracle SQL and you will learn a lot from it - not just superficial certification SQL.

See all 37 customer reviews...

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OCA Oracle Database 11g SQL Fundamentals I Exam Guide: Exam 1Z0-051 (Oracle Press), by John Watson, Roopesh Ramklass PDF
OCA Oracle Database 11g SQL Fundamentals I Exam Guide: Exam 1Z0-051 (Oracle Press), by John Watson, Roopesh Ramklass PDF

Sunday, July 27, 2014

[U335.Ebook] Download PDF Fifteen Dogs, by André Alexis

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Fifteen Dogs, by André Alexis

Winner of the 2015 Scotiabank Giller Prize

Finalist for the 2015 Toronto Book Awards

Winner of the 2015 Rogers Writers' Trust Fiction Prize

"[Alexis] devises an inventive romp through the nature of humanity in this beautiful, entertaining read … A clever exploration of our essence, communication, and how our societies are organized." – Kirkus Reviews

"This might be the best set-up of the spring." – The Globe & Mail

"Andr� Alexis has established himself as one of our preeminent voices." – Toronto Star

— I wonder, said Hermes, what it would be like if animals had human intelligence.
— I'll wager a year's servitude, answered Apollo, that animals – any animal you like – would be even more unhappy than humans are, if they were given human intelligence.

And so it begins: a bet between the gods Hermes and Apollo leads them to grant human consciousness and language to a group of dogs overnighting at a Toronto vet�erinary clinic. Suddenly capable of more complex thought, the pack is torn between those who resist the new ways of thinking, preferring the old 'dog' ways, and those who embrace the change. The gods watch from above as the dogs venture into their newly unfamiliar world, as they become divided among themselves, as each struggles with new thoughts and feelings. Wily Benjy moves from home to home, Prince becomes a poet, and Majnoun forges a relationship with a kind couple that stops even the Fates in their tracks.

Andr� Alexis's contemporary take on the apologue offers an utterly compelling and affecting look at the beauty and perils of human consciousness. By turns meditative and devastating, charming and strange, Fifteen Dogs shows you can teach an old genre new tricks.

Andr� Alexis was born in Trinidad and grew up in Canada. His debut novel, Childhood, won the Books in Canada First Novel Award, the Trillium Book Award, and was shortlisted for the Giller Prize and the Writers' Trust Fiction Prize. His other previous books include Asylum, Beauty and Sadness, Ingrid & the Wolf and, most recently, Pastoral, which was also nominated for the Rogers Writers' Trust Fiction Prize and was named a Globe and Mail Top 100 book of 2014.

  • Sales Rank: #113748 in Books
  • Published on: 2015-04-14
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.20" h x .60" w x 5.20" l, .0 pounds
  • Binding: Paperback
  • 176 pages

Review
'[Alexis] devises an inventive romp through the nature of humanity in this beautiful, entertaining read … A clever exploration of our essence, communication, and how our societies are organized.'
—Kirkus Reviews

'Alexis manages to encapsulate an astonishing range of metaphysical questions in a simple tale about dogs that came to know too much. The result is a delightful juxtaposition of the human and canine conditions, and a narrative that, like just one of the dogs, delights in the twists and turns of the gods' linguistic gift.'
—Publishers Weekly�(starred review)

‘A novel about a pack of�talking dogs, you say? The very idea will most likely breed thoughts of insufferable whimsy, like those paintings of mutts playing poker, or of more or less effective satire, in the vein of Animal Farm. It’s a grand thing, then, that this spry novel by Canadian Andr� Alexis spends its 160 pages repeatedly defying expectations ... I’m far from being a dog person, but as a book person I loved this smart, exuberant fantasy from start to�finish.'
—Jonathan Gibbs, The Guardian

'Over the course of this novel, slim yet epic in scope, Alexis chronicles the fates of these strangely afflicted beasts, shifting from thought experiment to comic parable to something more delicate, laden with detail, discovery and emotional nuance.'
—The Globe & Mail

'A remarkable book. Insightful, wildly original and beautiful. Buy it.'
—Mark Medley, Books Editor at�The Globe & Mail

'Truly a privilege to read.'
—Wordfest Reviews

'Alexis takes up notions of language and consciousness on a fundamental level, and what it means to have both or one without the other.'
—Full Stop

'Alexis’s technical skills are extraordinary. His characters are diverse and expertly differentiated, and his sentence crafting is brilliant. ... I’m not ashamed to say that I cried at the end.'
—LitReactor.com

'A�clever and beguiling study of human nature through the eyes of dogs.'
—Largehearted Boy

'A�nimble rumination�on consciousness, language, love, and art.'
—Albert the Dog

The 2015 Rogers Writers' Trust Fiction Prize jury citation:

'In Fifteen Dogs – Andr� Alexis’ powerful apologue – questions of knowledge and happiness, fidelity and fate are grounded in the real-world adventures of a group of dogs. Here is a beautifully written allegory for our times: one in which man’s best friend shows us the benefits of higher consciousness – the favoured bone of fact buried where we might all find it. Fifteen Dogs is an original and vital work written by a master craftsman: philosophy given a perfect form.'

The 2015 Giller jury citation:

'What does it mean to be alive? To think, to feel, to love and to envy? Andr�Alexis explores all of this and more in the extraordinary�Fifteen Dogs, an insightful and philosophical meditation on the nature of consciousness. It’s a novel filled with balancing acts: humour juxtaposed with savagery, solitude with the desperate need to be part of a pack, perceptive prose interspersed with playful poetry. A wonderful and original piece of writing that challenges the reader to examine their own existence and recall the age old question, what’s the meaning of life?'

About the Author

Andr� Alexis was born in Trinidad and grew up in Canada. His debut novel, Childhood, won the Books in Canada First Novel Award, the Trillium Book Award, and was shortlisted for the Giller Prize and the Writers' Trust Fiction Prize. His other previous books include Asylum, Beauty and Sadness, Ingrid & the Wolf and, most recently, Pastoral, which was also nominated for the Rogers Writers' Trust Fiction Prize and was named a Globe and Mail Top 100 book of 2014.


Most helpful customer reviews

16 of 16 people found the following review helpful.
Human? Canine? Meaning of Life? Great novel, great questions. Must Read.
By Charles W Smith
Fifteen Dogs was this week awarded the Giller Prize. The jury said:

What does it mean to be alive? To think, to feel, to love and to envy? Andr� Alexis explores all of this and more in the extraordinary Fifteen Dogs, an insightful and philosophical meditation on the nature of consciousness. It’s a novel filled with balancing acts: humour juxtaposed with savagery, solitude with the desperate need to be part of a pack, perceptive prose interspersed with playful poetry. A wonderful and original piece of writing that challenges the reader to examine their own existence and recall the age old question, what’s the meaning of life?

In a refreshingly short 171 pages, Mr. Alexis packs as much — if not more — existential punch, metaphysical rumination, and philosophical insight as are contained in some novels that are 900 exasperatingly long pages — not to mention any names (you can click here if you must know) — but after having just finished one such behemoth of a fiction, I was delighted, intrigued, moved, enchanted, and challenged by Fifteen Dogs.

I am one of those who believe dogs to be of a higher order than humans. I spend a good portion of my life being companion to dogs who live with others, counting among the beings I love (and have loved) the most not a few canines. Thus, the premise of this novel (the following is from the publisher’s website) —

— I wonder, said Hermes, what it would be like if animals had human intelligence.

— I’ll wager a year’s servitude, answered Apollo, that animals – any animal you like – would be even more unhappy than humans are, if they were given human intelligence.

And so it begins: a bet between the gods Hermes and Apollo leads them to grant human consciousness and language to a group of dogs overnighting at a Toronto vet�erinary clinic. Suddenly capable of more complex thought, the pack is torn between those who resist the new ways of thinking, preferring the old ‘dog’ ways, and those who embrace the change. The gods watch from above as the dogs venture into their newly unfamiliar world, as they become divided among themselves, as each struggles with new thoughts and feelings. Wily Benjy moves from home to home, Prince becomes a poet, and Majnoun forges a relationship with a kind couple that stops even the Fates in their tracks.

— was wonderfully interesting to me. Imbued with the same sort of consciousness as have humans, how would such colors of knowing alter the shades of awareness and behavior already present in dogs? And, too, given these new ways of contemplation and expression, would dogs find their lives improved?

Fifteen Dogs approaches these questions without the assumption that being human is better — which is what won me over, because I think there is some argument that dogs are kinder, smarter, more honest and reliable than are humans. Most touching — for me — my most “a-ha” moment — which was wrought both gently and too, finally, with a bang — was the pointing out of the possibility that it is perhaps in the naming and labeling of emotions and ways of being where the trouble begins, and where both the greatest joys and sorrows are born.

To love before one names it — as happens with infants and animals, the open, full-on, complete trusting and immersion — is a most blessed and beautiful thing. To have to speak of it to give it reality, is, I think, a limitation and a curse. And while I love my reading and my words, well, I also yearn for more in my life of the silent, words-not-required bursting of emotion I have with my dog-friends.

This is a beautiful book, the intricately complicated simplicity of which provokes an examination of one’s assumptions about the nature of reality and consciousness, of the meaning of Life and Love beyond language, outside of language, and how it is we manage — each of us with our own highly individualized frames of reference — to connect, to find agency enough inside our private realities to make the leap outside ourselves to a shared reality. And none of this is done in a portentous, heavy-handed way, but, rather, suggested in the context of a well-told story that made me laugh, cry, and think. This, for example as one of the main dogs, Majnoun, asks the god, Hermes, to explain what love is:

— What you want to know, Majnoun, is not what love means. It means no one thing and never will. What you want to know is what Nira meant when she used the word. This is more difficult, because Nira’s word is like a long journey taken by one woman alone. She read the word in books, heard it in conversations, talked about it with friends and family, Miguel and you. No other being has encountered the word love as Nira has or used it in quite the same ways, but I can take you along Nira’s path.

That (and the paragraph that follows it – which I almost included but I really want you to read this book) is gorgeous, wow, thoughtfulness and literature. Highly recommended.

Original review and links can be found on my blog: HERE WE ARE GOING, here: https://herewearegoing.wordpress.com/2015/11/11/reading-fifteen-dogs-by-andre-alexis/

10 of 10 people found the following review helpful.
Lord of the Flies, with dogs
By Roger Brunyate
FIFTEEN DOGS recently won its author the Scotiabank Giller Prize, Canada's richest award. Curious, I looked at the first page: "One evening in Toronto, the gods Apollo and Hermes were in the Wheatsheaf Tavern." What is this, the beginning of some joke? Looking further, I saw the story was mostly about dogs, fifteen of them at first, all duly listed in a "Dramatis Canes" cast list at the start. Oh dear, I thought; the last book I read gave me all the whimsy I could handle for a while…. But I was wrong, completely wrong. Just accept the premise, that the gods for a bet endowed a random group of dogs with human intelligence, and you will find yourself enmeshed in a book that is as brutal and thought-provoking as they come, a kind of LORD OF THE FLIES, only with dogs.

Thought-provoking, yes. Alexis calls this an Apologue, a word I had to look up. According to Wikipedia, it is "a brief fable or allegorical story with pointed or exaggerated details, meant to serve as a pleasant vehicle for a moral doctrine or to convey a useful lesson without stating it explicitly." One example they give is George Orwell's ANIMAL FARM which, though entertaining in manner, makes deadly serious political points (as indeed Golding's novel did a decade later). Alexis also moves quickly beyond the stage of entertainment. Of the fifteen dogs released from their animal shelter by Apollo and Hermes, three are afraid to leave the premises, and the rest soon break into murderous quarrels about how to handle their new gifts. It is not long before the fifteen have been reduced to half a dozen. One of the most shocking things is how quickly the so-called gifts of civilization can result in acts of utter brutality.

There are five substantial chapters in this short but dense book; although following a normal timeline, they are more like musical movements than episodes in a narrative. As in a symphony, most of the drama comes early. In the first movement, as I have indicated, the drama is political, about how the first dogs to practice rational argument -- or worse, puns and poetry -- immediately arouse the suspicion of the pack. The second is about two dogs who return to human companionship, but treat their hosts in very different ways; it also tells of the further attrition of the original pack. The third is about the birth of religious faith. In the fourth, and throughout, Alexis deals with the philosophy of language, from the traditional speech of growls and barks, through the new god-given dog language flexible enough to deal with abstract concepts, to some approximation of spoken English. There are echoes here of THE ISLAND OF DOCTOR MOREAU by HG Welles, though without the Gothic overtones; Alexis is interested in how the acquisition of language changes one's sense of self, for both dogs and humans. The final chapter, both sad and very beautiful, is a meditation on death, happiness, and the purpose of life.

There is a touch of sentiment in these final pages, but Alexis comes to it honestly. He is careful not to anthropmorphize his animals, as most writers of animal stories do. No matter how sophisticated their thought, these creatures remain dogs in all their doggy habits of sniffing genitalia and eating excrement. Much more important is the insight to be gained by looking at human beings through canine eyes. One of the last survivors ponders at length what it means to be human. He cannot fully comprehend how anyone can live a life so limited in taste and smell, and where social structures are so subject to ambiguity and compromise. But we human readers catch glimpses of ourselves in what the dogs reflect, and the view is not always a comfortable one.* I can easily understand the thought of the Giller Prize committee: once FIFTEEN DOGS entered the competition, there simply wasn't anything else in the same ballpark.

*Though punctuated with humor throughout. See the first comment.

8 of 9 people found the following review helpful.
"...many here among us who think life is but a joke" - Bob Dylan
By dennis wentraub
Spoiler alert: You will have a tear in your eye by the end of this metaphysical fantasy- more questions than answers, and pets bewildered by your renewed affection. Warning: this book is guaranteed to detonate arguments in book clubs and college dorms. Decades my have past since you read Greek mythology, but recall that their gods were capricious, whimsical, often meddling with the fates of earthly creatures, but also occasionally beneficent...so don't be surprised when you next drop into your favorite watering hole - here, The Wheat Sheaf Tavern at King and Bathurst (Toronto) - if your bearded bar mate downing the suds is really on a different plane, there to observe your behavior and make a wager on the nature of humanity. Among the questions quaffed in this fast moving animal tale are to what extent intelligence is a source of unhappiness. Do words and imagination only confound? Is it better to "think" or to "know" (instinct)? Is collective behavior a 'good' or is it just uniformity? Is a hierarchical order, a "geometry of dominance", a natural good that when challenged only leads to pain and unhappiness? Are we only true to our real nature without gods and governments? If you die with Hope in your heart, with pure loyalty to your master (mate?), can it be said that you were happy? And is love a natural evolution of loyalty? Ultimately - spoiler alert [2] -awareness of our mortality and a gift that allows us to love and be loved in return is the essence of our being - and that says this author cannot be extinguished.

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Wednesday, July 23, 2014

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Bid Management: A No-nonsense Guide to Writing Successful Bids Proposals and Funding Applications (Business Success), by Emma Jaques

While it is becoming increasingly common for contracts to be awarded through formal procurement processes, smaller businesses could be missing out. But with the right skills and confidence, there's no reason not to take advantage of this potentially lucrative route to market. 

Bid Management is a no-nonsense, practical guide that will teach the reader how to think like a professional bid manager. It covers the basics of how to find opportunities, understanding the rules of the game and how to get to know customers. It also gives essential advice on: 

-how to compete with other bidders 
-presenting a deliverable and profitable bid 
-project managing a bid 
-working out a winning pricing strategy 
-using the final presentation to clinch the deal 

With an insightful interview with the Director behind the London 2012 Olympic bid, Bid Management uncovers the myths of bidding and teaches you all the skills you need to win new clients and retain existing ones through formal tender processes

  • Sales Rank: #1368909 in Books
  • Published on: 2011-03-15
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.50" h x .52" w x 5.00" l, .82 pounds
  • Binding: Paperback
  • 224 pages

Review
Tackling a bid of any size is daunting without the right skills, support and encouragement. Bid Management gives this and more: clear advice on how to win, and valuable lessons from bid professionals. --David Magliano, Director of Marketing for the London 2012 bid David Magliano 20110201

About the Author
Emma Jaques is the Director of Onto the Page, a consulting firm that advises clients on bid proposals and marketing communication.

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Tuesday, July 22, 2014

[T640.Ebook] Ebook Free Applied Subsurface Geological Mapping with Structural Methods (2nd Edition), by Daniel J. Tearpock, Richard E. Bischke

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Applied Subsurface Geological Mapping with Structural Methods (2nd Edition), by Daniel J. Tearpock, Richard E. Bischke



Applied Subsurface Geological Mapping with Structural Methods (2nd Edition), by Daniel J. Tearpock, Richard E. Bischke

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Applied Subsurface Geological Mapping with Structural Methods (2nd Edition), by Daniel J. Tearpock, Richard E. Bischke

Applied Subsurface Geological Mapping, With Structural Methods, 2nd Edition is the practical, up-to-the-minute guide to the use of subsurface interpretation, mapping, and structural techniques in the search for oil and gas resources. Two of the industry's leading consultants present systematic coverage of the field's key principles and newest advances, offering guidance that is valuable for both exploration and development activities, as well as for "detailed" projects in maturely developed areas.

Fully updated and expanded, this edition combines extensive information from the published literature with significant material never before published. The authors introduce superior techniques for every major petroleum-related tectonic setting in the world.

Coverage includes:

  • A systematic, ten-step philosophy for subsurface interpretation and mapping
  • The latest computer-based contouring concepts and applications
  • Advanced manual and computer-based log correlation
  • Integration of geophysical data into subsurface interpretations and mapping
  • Cross-section construction: structural, stratigraphic, and problem-solving
  • Interpretation and generation of valid fault, structure, and isochore maps
  • New coverage of 3D seismic interpretation, from project setup through documentation
  • Compressional and extensional structures: balancing and interpretation
  • In-depth new coverage of strike-slip faulting and related structures
  • Growth and correlation consistency techniques: expansion indices, Multiple Bischke Plot Analysis, vertical separation versus depth, and more
  • Numerous field examples from around the world

Whatever your role in the adventure of finding and developing oil or gas resources–as a geologist, geophysicist, engineer, technologist, manager or investor–the tools presented in this book can make you significantly more effective in your daily technical or decision-oriented activities.

  • Sales Rank: #1061966 in Books
  • Color: Hardcover,
  • Published on: 2002-08-26
  • Original language: English
  • Number of items: 1
  • Dimensions: 11.00" h x 1.40" w x 8.50" l, 4.62 pounds
  • Binding: Hardcover
  • 864 pages

From the Publisher
A complete, practical discussion of subsurface geologic methods -- with special emphasis on petroleum exploration.

From the Back Cover
"Applied Subsurface Geological Mapping, With Structural Methods, 2nd Edition" is the practical, up-to-the-minute guide to the use of subsurface interpretation, mapping, and structural techniques in the search for oil and gas resources. Two of the industry's leading consultants present systematic coverage of the field's key principles and newest advances, offering guidance that is valuable for both exploration and development activities, as well as for "detailed" projects in maturely developed areas. Fully updated and expanded, this edition combines extensive information from the published literature with significant material never before published. The authors introduce superior techniques for every major petroleum-related tectonic setting in the world. Coverage includes:

  • A systematic, ten-step philosophy for subsurface interpretation and mapping
  • The latest computer-based contouring concepts and applications
  • Advanced manual and computer-based log correlation
  • Integration of geophysical data into subsurface interpretations and mapping
  • Cross-section construction: structural, stratigraphic, and problem-solving
  • Interpretation and generation of valid fault, structure, and isochore maps
  • New coverage of 3D seismic interpretation, from project setup through documentation
  • Compressional and extensional structures: balancing and interpretation
  • In-depth new coverage of strike-slip faulting and related structures
  • Growth and correlation consistency techniques: expansion indices, Multiple Bischke Plot Analysis, vertical separation versus depth, and more
  • Numerous field examples from around the world
Whatever your role in the adventure of finding and developing oil or gas resources-as a geologist, geophysicist, engineer, technologist, manager or investor-the tools presented in this book can make you significantly more effective in your daily technical or decision-oriented activities.

About the Author

DANIEL J. TEARPOCK is Chairman and Chief Executive Officer of Subsurface Consultants & Associates, LLC. (SCA), the industry leader in worldwide upstream petroleum consultancy and training. As a working geoscientist, he has generated numerous exploration and exploitation prospects, either on his own or as part of an organized team. As a company, SCA has helped clients find or develop billions of barrels of oil equivalent. He is the co-author of Quick Look Techniques for Prospect Evaluation.

 

RICHARD E. BISCHKE, Ph.D., Chief Structural Geophysicist of SCA, has conducted a wide range of structural geology projects, seismic interpretation, and balancing studies in extensional, compressional, and strike-slip environments. He specializes in the interpretation of complex structures, with recent studies in South America, the deepwater Gulf of Mexico, Alaska, Southeast Asia, and the North American Rocky Mountains.

Most helpful customer reviews

1 of 1 people found the following review helpful.
Highly recommended!
By Famah Smith
An awesome reference & teaching manual! Highly recommended!

0 of 3 people found the following review helpful.
Great Subsurface Geology Book
By MHD N. Alostath
I am geology student I bought this book as additional to my course book. It one o the best book out there for this subject.

1 of 1 people found the following review helpful.
Great Book
By Tex5646
Excellent book for the petroleum geologist. Lots of great information covered that is explained in great detail. Goes over many of the basics of petroleum geology. A must for any new geologist.

See all 4 customer reviews...

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Applied Subsurface Geological Mapping with Structural Methods (2nd Edition), by Daniel J. Tearpock, Richard E. Bischke PDF
Applied Subsurface Geological Mapping with Structural Methods (2nd Edition), by Daniel J. Tearpock, Richard E. Bischke PDF

Sunday, July 20, 2014

[Q830.Ebook] Get Free Ebook Finding a Job You Can Love, by Ralph T. Mattson, Arthur F. Miller

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Finding a Job You Can Love, by Ralph T. Mattson, Arthur F. Miller

Do you wish you had a job you could love? An estimated 50-80 percent of working Americans are in the wrong line of work. If you suspect you're part of the misfit majority, there's a way to find a job that's right for you. Ralph T. Mattson and Arthur F. Miller Jr. will lead you through a personal inventory of who you are and what you are cut out to do. Viewing work as a sacred calling, they show how to assess your unique God-given design identify your specific gifts, harness natural interests and motivations, avoid confusion and self-deception, and discover work that brings genuine delight.

"Being in a job or role suitable for our gifts is essential in fulfilling God's will," say Mattson and Miller. Whether you're looking for a first vocation or a new one, they offer both clear thinking and practical direction on how to glorify God by enjoying the work he has created you to do.

  • Sales Rank: #283156 in Books
  • Brand: P&R Publishing Company
  • Published on: 1999-08-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.51" h x .54" w x 5.40" l, .60 pounds
  • Binding: Paperback
  • 192 pages
Features
  • ISBN: 9780875523934
  • Condition: New
  • Notes: 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

About the Author
Ralph T. Mattson, former executive vice president of People Management International, Ltd., is founder of the DOMA Group, a consulting firm that equips corporations to make effective use of human resources.

Most helpful customer reviews

1 of 1 people found the following review helpful.
someone who is motivated to excel and achieve will enjoy work that provides a series of varied challenges to ...
By Murm
This book offers a fascinating perspective on why we do what we do. Instead of presenting a series of questions to test your "personality type," it helps you to examine past actions, successes, and failures, which point to your "central motivational thrust".
For example: someone who is motivated to excel and achieve will enjoy work that provides a series of varied challenges to be overcome. This person needs to see visible progress and completion. This person will be frustrated by repetitive tasks that never seem to be finished. This person will thrive in a career that requires developing a sharpened set of skills, where he can become an expert, and where he can make satisfying achievements.
Following the process that Mattson and Miller lay out, I developed a deeper understanding of what makes me tick, which is invaluable in guiding me toward a career.

3 of 3 people found the following review helpful.
The book is great for understanding one's gifts and strengths
By Tim C in Japan
The book is great for understanding one's gifts and strengths, and for gaining a solid perspective on spiritual gifts. I appreciate the authors' understanding of the Bible and of human nature. The title makes the book sound to me like a simple self-help book but actually it goes much deeper than that.

0 of 0 people found the following review helpful.
An undiscovered gem.
By Christin
This book was written for a Christian audience, so don't get it if you don't appreciate that perspective, or if you can't work around it.

But regardless of your views on God... Empirically, Ralph Mattson's way of approaching this subject is both effective and unique compared to what I have seen in the rest of the what-color-is-your-parachute genre. How you work, what makes you tick, what motivates you, and how to identify your strengths so that you can pick a career path that will deeply satisfy you... all of this is addressed here, and the information is presented such that anyone can work through it themselves and come up with some great insights that will guide them in career decisions.

I first read Ralph Mattson in the early nineties. I have watched several people's careers blossom over the last two decades because they read this book and put what they learned into practice. I have been able to make educated choices about what will or won't be a good position for me based on what this book taught me. I look back on the last 20 yrs and I am glad I read it back then.

I am also glad it's still available now... I dug it up and ordered a copy to our summer nanny the other day who's about to graduate with multiple majors from her undergrad program, and is smart as a whip, but still has only a vague sense of what she should "do with her life." I am confident when I recommend this to her. If she finds time to read it in the midst of her 18 hr course load this semester, she'll be happy she did.

So - if you are searching for a framework you can use to think about where to invest your energy for the rest of your life (including not just career but volunteer work, causes, hobbies, etc.) then think about getting this book.

See all 19 customer reviews...

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Thursday, July 17, 2014

[J136.Ebook] PDF Download Where We Stand: Class Matters, by bell hooks

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Where We Stand: Class Matters, by bell hooks

Drawing on both her roots in Kentucky and her adventures with Manhattan Coop boards, Where We Stand is a successful black woman's reflection--personal, straight forward, and rigorously honest--on how our dilemmas of class and race are intertwined, and how we can find ways to think beyond them.

  • Sales Rank: #236882 in Books
  • Published on: 2000-10-06
  • Released on: 2000-10-26
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .40" w x 6.00" l, .55 pounds
  • Binding: Paperback
  • 164 pages
Features
  • Drawing on both her roots in Kentucky and her adventures with Manhattan Coop boards, Where We Stand is a successful black woman's reflection--personal, straight forward, and rigorously honest--on how our dilemmas of class and race are intertwined, and how we can find ways to think beyond them.

From Library Journal
This incisive examination of class is rooted in cultural critic hooks's (All About Love) personal experience, political commitment, and social theory, which links gender, race, and class. Starting with her working-class childhood, the author illustrates how everyday interactions reproduce class hierarchy while simultaneously denying its existence. Because she sustains an unflinching gaze on both her own personal motivations and on persistent social structures, hooks provides a valuable framework for discussing such difficult and unexplored areas as greed, the quest to live simply, the ruling-class co-optation of youth through popular culture, and real estate speculation as an instrument of racism. Although the reading level and the price are both steep, this title is highly recommended for most public libraries and academic social science collections.DPaula R. Dempsey, DePaul Univ. Lib., Chicago
Copyright 2001 Reed Business Information, Inc.

Review
This incisive examination of class is rooted in cultural critic hooks personal experience, political commitment, and social theory, which links gender, race, and class. Starting with her working-class childhood, the author illustrates how everyday interactions reproduce class hierarchy while simultaneously denying its existence. Because she sustains an unflinching gaze on both her own personal motivations and on persistent social structures, hooks provides a valuable framework for discussing such difficult and unexplored areas as greed, the quest to live simply, the ruling-class co-optation of youth through popular culture, and real estate speculation as an instrument of racism.

About the Author
Bell Hooks has published three books with Routledge: Teaching to Transgress, Reel to Reel, and Outlaw Culture. Her most recent publications are All About Love and her children's book Happy to Be Nappy.

Most helpful customer reviews

7 of 7 people found the following review helpful.
Where We Stand: Class Matters by bell hooks
By milina jovanovic
Where We Stand: Class Matters by bell hooks

All books written by bell hooks are powerful, direct, and very brave. Exactly when I was hoping bell would write a book about class, I discovered this one. Her writings about love lead to exploration of capitalism and its social structure more in depth, to strengthen points about the ways class loyalties and antagonisms prevent love ethic from becoming embraced by the society as a whole.

What I especially appreciate in Where We Stand are the two quite extraordinary qualities: a) bell showed us that we can talk and write about class without using "post-modern" or difficult to comprehend terminology, and b) she is not afraid to call to action, to change this depressing and unjust, cruel and senseless system into "a world where we can all have enough to live fully and well."

She started the book with self-critique, almost apologizing for not having enough theoretical knowledge to talk about class issues. However, bell is able to discuss very different aspects of class, such as class ideology (or the dominant social ideology being the ideology of the ruling class), class consciousness of the working class and intellectuals, intersections of class, race and gender, crossing class boundaries, and a vision of a classless society--society--without class hierarchies or antagonistic classes.

I read somewhere that some book reviews called this book a "novel". Where We Stand is not a novel, but I prefer to see this as compliment. bell masterfully intertwined her personal experiences and her family stories into the general discussion about class. Her feminist methodology brings much needed approach and analysis of one indivisible social system that is at the same time patriarchal, capitalist/imperialist, and white supremacist on a global scale.

bell hooks is always brave and principled. Her integrity is intact as she writes about the most important issues of our time. In addition, we can witness that she lives according to her values. She is compassionate and openly declares her solidarity with the working class and all of the people that Marx called proletariat. bell chose to live on a smaller income, without security that institutions provide, and to live simply.
Not only are the topics that bell writes about revolutionary, but she herself lives as an intellectual capable of leading a revolutionary movement.

I expect some critics to say that all aspects of class are not explored in this book, nor are those discussed explored in depth. Some will be tempted to say that bell is using Marx's concepts and creating relatively new terminology, as would many say that Anthony Giddens (Capitalism and Modern Social Theory; Class, Power and Conflict) is very much influenced by Marx. I understand that this book is only her first step, an introduction to a number of explorations of class issues in the contemporary American society, as well as one of her first calls for unity and strong advocacy for abolition of class and all other hierarchies.

Considering much of hooks' social theory, I see most parallels with Erich Fromm's work. Fromm wrote about "productive love" and "productive work", but he was also a very sharp critic of capitalism, exploitation, and alienation from our basic human needs, arguing for "productive humanistic communitarian socialism". Very much influenced by Marx, Fromm's theory of class also focuses on raising individual, group, and social conciseness in order to change the society into a future form that would allow us "to be" instead of "to have" and fulfill our basic human needs.

In terms of style, bell's way of writing resembles Joanna Kadi's Thinking Class who reaffirmed that working class members of our society are among best thinkers and most important agents of social change.

1 of 1 people found the following review helpful.
A book that'll make you want to write!
By Diepiriye S. Kuku
OMG, how many times have I recommended this book to readers across ages- which is saying a lot for a university lecturer. I find bell hooks' writing to be refreshingly frank, but also instructive- she'll make you want to write AND her writing an improve YOURS. This was also the last book that I read with my grandmother- a woman a generation older, and from even deeper south than hooks. Granny said THIS book was spot on- validating even.

0 of 0 people found the following review helpful.
simply fantastic
By TreG
a short, simple read for those not into heavy feminist theory. but bell hooks always delivers!

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Wednesday, July 16, 2014

[Z551.Ebook] PDF Ebook Working Stiff: Two Years, 262 Bodies, and the Making of a Medical Examiner, by Judy Melinek

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Working Stiff: Two Years, 262 Bodies, and the Making of a Medical Examiner, by Judy Melinek

The fearless memoir of a young forensic pathologist’s “rookie season” as a NYC medical examiner, and the cases—hair-raising and heartbreaking and impossibly complex—that shaped her as both a physician and a mother.

Just two months before the September 11 terrorist attacks, Dr. Judy Melinek began her training as a New York City forensic pathologist. With her husband T.J. and their toddler Daniel holding down the home front, Judy threw herself into the fascinating world of death investigation—performing autopsies, investigating death scenes, counseling grieving relatives. Working Stiff chronicles Judy’s two years of training, taking readers behind the police tape of some of the most harrowing deaths in the Big Apple, including a firsthand account of the events of September 11, the subsequent anthrax bio-terrorism attack, and the disastrous crash of American Airlines flight 587.

Lively, action-packed, and loaded with mordant wit, Working Stiff offers a firsthand account of daily life in one of America’s most arduous professions, and the unexpected challenges of shuttling between the domains of the living and the dead. The body never lies—and through the murders, accidents, and suicides that land on her table, Dr. Melinek lays bare the truth behind the glamorized depictions of autopsy work on shows like CSI and Law & Order to reveal the secret story of the real morgue.

  • Sales Rank: #354321 in Books
  • Published on: 2014-08-12
  • Released on: 2014-08-12
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x 1.00" w x 6.00" l, .0 pounds
  • Binding: Hardcover
  • 272 pages

Review
“Far from the magic we see on TV, Working Stiff describes forensic pathology in the real world. The book is a compelling and absorbing read.” (Kathy Reichs, author of the Temperance Brennan "Bones" series)

"Fascinating case studies and a refreshing irreverence toward death and autopsies make Working Stiff a funny and engrossing read." (Sandeep Jauhar, author of "Intern: A Doctor's Initiation" and "Doctored: The Disillusionment of an American Physician")

“Working Stiff is an engrossing and revealing glimpse into the making of a medical examiner with a searing insider's view into working at the New York Medical Examiner's Office during and just after 9/11. The story of how the author dealt with her father's suicide during childhood and later had to deal with suicides as part of her duties is wrenching and compelling." (Jan Garavaglia, M.D. (Dr. G from the Discovery Channel Series and author of "How Not to Die")

"A riveting read, at once compassionate and morbidly fascinating." (Todd Harra, author of "Over Our Dead Bodies")

"Working Stiff is an eye-opening, gripping account of the life of a forensic pathologist working in New York City. Whether dealing with routine autopsies, surviving relatives, or the catastrophe of September 11, Dr. Judy Melinek reveals the dignity of being human in the face of death." (Leora Tanenbaum, author of "Taking Back God")

"In this engrossing tale of how Melinek became a forensic pathologist, she pulls back the sheet to show readers just what goes on after someone dies... Armchair detectives and would-be forensic pathologists will find Melinek’s well-written account to be inspiring and engaging." (Publishers Weekly)

"Both chilling and heart-warming at the same time, Judy Melinek's account explains how empathy and humanity are as important working with the dead as they are with the living. She strikes the balance just right in helping us better understand what we most fear, yet still fear it all the same." (Suzanne Nossel, Executive Director, PEN America Center)

"Melinek’s enthusiasm for her calling is always apparent, and her writing is un–self-consciously bouncy, absorbed and mordant (though not caustic).... A transfixing account of death, from the mundane to the oddly hair-raising." (Kirkus Reviews)

Working Stiff is the grossest book you'll ever love. But it is also so much more than that: Seamlessly fusing memoir, science journalism, riveting whodunit mysteries, and light humor about a dark topic, Working Stiff is a relentlessly fascinating and informative book from the first page to the last. Judy Melinek--whether she's re-enacting assaults in a courtroom while heavily pregnant, or fighting with lazy homicide detectives, or solving amazing forensic mysteries through the ghastly things she does with her corpses--is an unfailingly charming and even inspiring guide to the world of medical examiners. A remarkable achievement by Mitchell and Melinek. (Scott Stossel, editor of The Atlantic magazine, and author of the New York Times Bestseller "My Age of Anxiety")

"Spellbinding. . . . Melinek is movingly empathetic toward the families of victims. . . . An unforgettable story." (Booklist starred review)

"Working Stiff is a page-turning, engrossing book that reveals a hidden world and shows that the work of understanding death is actually a labor of life.” (Sciencethrillers.com)

"Melinek chronicles her time at the city’s Office of the Chief Medical Examiner — and it’s nothing like what you see on television." (New York Post)

“The flamboyant disclosures—how to handle rotting flesh or use pruning shears to snap ribs—are balanced by her soul-baring account of identifying human remains in the wake of the terrorist attacks in New York on 11 September 2001.” (Nature Magazine)

"An enthusiastic, readable chronicle of decomposition and poison residues, homicide and rape kits, crime scenes and court testimony, and working on bodies from the terrorist attacks of 9/11.” (Washington Post)

“Fun, sentimental where appropriate and full of smart science. Fans of CSI — the real kind — will want to read it.” (Washington Post)

"Working Stiff is an account of Melinek's years in training, complete with gory details, heartfelt emotions and plenty of ripped-from-the-headlines case studies. This mixture of nonfiction and narrative makes for compelling, informative reading as Melinek works through cases of homicide, accidental death, medical error and suicide--and becomes even more powerful as the authors recount the harrowing weeks and months following the 9/11 World Trade Center attacks, which brought more bodies and death to Melinek's door than ever before." (Shelf Awareness)

"Haunting and illuminating...the stories from [Dr. Melinek's] average workdays should also transfix the reader with their demonstration that medical science can diagnose and console long after the heartbeat stops." (New York Times)

"[Melinek's] true, frank and often funny account, written with her husband TJ Mitchell, reveals how as a young forensic pathologist her “rookie season” brought some incredibly harrowing deaths that would have rocked a less strong personality to the core in the Big Apple." (Mirror UK)

About the Author
Judy Melinek is a forensic pathologist and an associate clinical professor at UCSF Medical Center. She earned her college degree from Harvard and received her medical degree and pathology residency training at UCLA. She has worked and lived in San Francisco with her husband, T.J. Mitchell, and their children since 2004.

T.J. Mitchell graduated with an English degree from Harvard and worked in the film industry before becoming a full-time stay-at-home dad in 2000.

Excerpt. © Reprinted by permission. All rights reserved.
Working Stiff

1

This Can Only End Badly

“Remember: This can only end badly.” That’s what my husband says anytime I start a story. He’s right.

So. This carpenter is sitting on a sidewalk in Midtown Manhattan with his buddies, half a dozen subcontractors in hard hats sipping their coffees before the morning shift gets started. The remains of a hurricane blew over the city the day before, halting construction, but now it’s back to business on the office tower they’ve been building for eight months.

As the sun comes up and the traffic din grows, a new noise punctures the hum of taxis and buses: a metallic creak, not immediately menacing. The creak turns into a groan, and somebody yells. The workers can’t hear too well over the diesel noise and gusting wind, but they can tell the voice is directed at them. The groan sharpens to a screech. The men look up—then jump to their feet and sprint off, their coffee flying everywhere. The carpenter chooses the wrong direction.

With an earthshaking crash, the derrick of a 383-foot-tall construction crane slams down on James Friarson’s head.

I arrived at this gruesome scene two hours later with a team of MLIs, medicolegal investigators from the New York City Office of Chief Medical Examiner. The crane had fallen directly across a busy intersection at rush hour and the police had shut it down, snarling traffic in all directions. The MLI driving the morgue van cursed like a sailor as he inched us the last few blocks to the cordon line. Medicolegal investigators are the medical examiner’s first responders, going to the site of an untimely death, examining and documenting everything there, and transporting the body back to the city morgue for autopsy. I was starting a monthlong program designed to introduce young doctors to the world of forensic death investigation and had never worked outside a hospital. “Doc,” the MLI behind the wheel said to me at one hopelessly gridlocked corner, “I hope you don’t turn out to be a black cloud. Yesterday all we had to do was scoop up one little old lady from Beth Israel ER. Today, we get this clusterfuck.”

“Watch your step,” a police officer warned when I got out of the van. The steel boom had punched a foot-deep hole in the sidewalk when it came down on Friarson. A hard hat was still there, lying on its side in a pool of blood and brains, coffee and doughnuts. I had spent the previous four years training as a hospital pathologist in a fluorescent-lit world of sterile labs and blue scrubs. Now I found myself at a windy crime scene in the middle of Manhattan rush hour, gore on the sidewalk, blue lights and yellow tape, a crowd of gawkers, grim cops, and coworkers who kept using the word “clusterfuck.”

I was hooked.

“How did it happen?” my husband, T.J., wanted to know when I got home.

“The crane crushed his head.”

He winced. “I mean, how come it toppled over?” We were at the small playground downstairs from the apartment, watching our toddler son, Danny, arrange all of the battered plastic trucks and rusty tricycles in a line, making a train.

“The crane was strapped down overnight because of the hurricane warning yesterday. The operator either forgot or never knew, and I guess he didn’t check it. He started the engine, pushed the throttle, and nothing happened. So he gunned it—and the straps broke.”

“Oh, man,” T.J. said, rubbing his forehead. “Now it’s a catapult.”

“Exactly. The crane went up, hung there for a second—and crumpled over itself backwards.”

“Jesus. What about the driver?”

“What do you mean?”

“Was the crane driver hurt?”

“Oh. I don’t know.”

“Well, what about the other workers?”

“I don’t know,” I repeated. “None of them were dead.”

T.J. was looking off into the trees. “Where did this happen?”

“I told you, on Sixth Avenue.”

“And what?”

“I don’t remember! What does it matter? You’re going to avoid that corner because a crane could drop on your head?”

“Well?”

“It doesn’t happen that often, believe me.” Our raised voices had drawn the attention of the other parents on the bench.

“Civilians,” T.J. warned under his breath, reminding me that no one on a playground full of preschoolers wanted to hear our discussion of a grisly workplace accident. “Did he have a wife, kids?” he asked quietly.

“He had a wife. I don’t know about kids.”

My husband looked at me askance.

“Look, I don’t deal with these things! The investigators take care of all that. I only have to worry about the body.”

“Okay. So tell me about the body.”

As part of my medical school training I had done autopsies before—but they were all clinical, patients who had died in the hospital. I had never seen a corpse like this one. “We had to do a full autopsy because it’s a workplace accident. It was amazing. He was a big guy, muscular. No heart disease, vessels clean. Not a scratch on his limbs or torso—but his head looked like an egg you smash on the counter. We even call it an ‘eggshell skull fracture.’ Isn’t that cool?”

“No,” T.J. replied, suddenly ashen. “No, it isn’t.”

I’m not a ghoulish person. I’m a guileless, sunny optimist, in fact. When I first started training in death investigation, T.J. worried my new job would change the way I looked at the world. He feared that after a few months of hearing about the myriad ways New Yorkers die, the two of us would start looking up nervously for window air conditioners to fall on our heads. Maybe we’d steer Danny’s stroller around sidewalk grates instead of rolling over them. We would, he was sure, never again set foot in murderous Central Park. “You’re going to turn me into one of those crazy people who leaves the house wearing a surgical mask and gloves,” he declared during a West Nile virus scare.

Instead, my experience had the opposite effect. It freed me—and, eventually, my husband as well—from our six o’clock news phobias. Once I became an eyewitness to death, I found that nearly every unexpected fatality I investigated was either the result of something dangerously mundane, or of something predictably hazardous.

So don’t jaywalk. Wear your seat belt when you drive. Better yet, stay out of your car and get some exercise. Watch your weight. If you’re a smoker, stop right now. If you aren’t, don’t start. Guns put holes in people. Drugs are bad. You know that yellow line on the subway platform? It’s there for a reason. Staying alive, as it turns out, is mostly common sense.

Mostly. As I would also learn at the New York City Office of Chief Medical Examiner, undetected anatomical defects do occasionally cause otherwise healthy people to drop dead. One-in-a-­million fatal diseases crop up, and New York has eight million people. There are open manholes. Stray bullets. There are crane accidents.

“I don’t understand how you can do it,” friends—even fellow physicians—tell me. But all doctors learn to objectify their patients to a certain extent. You have to suppress your emotional responses or you wouldn’t be able to do your job. In some ways it’s easier for me, because a dead body really is an object, no longer a person at all. More important, that dead body is not my only patient. The survivors are the ones who really matter. I work for them too.

I didn’t start off wanting to be a forensic pathologist. You don’t say to yourself in second grade, “When I grow up, I want to cut up dead people.” It’s not what you think a doctor should do. A doctor should heal people. My dad was that kind of doctor. He was the chief of emergency room psychiatry at Jacobi Medical Center in the Bronx. My father instilled in me a fascination with how the human body works. He had kept all his medical school textbooks, and when I started asking questions he would pull those tomes off their high shelf so we could explore the anatomical drawings together. The books were explorers’ charts, and he moved with such ease over them, with such assurance and enthusiasm, that I figured if I became a doctor I could sail those seas with him.

I never got the chance. My father committed suicide at age thirty-eight. I was thirteen.

People kept coming up to me during his funeral and saying the same thing: “I’m so sorry.” I hated that. It roused me out of my numbness, to anger. All I could think to say was, “Why are you saying you’re sorry? It’s not your fault!” It was his fault alone. My father was a psychiatrist and knew full well, professionally and personally, that he should have sought help. He knew the protocol; he had asked his own patients the three diagnostic questions all of us learn in medical school when we believe someone is having suicidal ideations. First, “Do you want to hurt yourself or kill yourself?” If the answer is yes, then you are supposed to ask, “Do you have a plan?” If again the patient answers yes, the final question is, “What is that plan?” If your patient has a credible suicide plan, he or she needs to be hospitalized. My father’s suicide plan was to hang himself, an act that requires considerable determination. After he succeeded in carrying out that plan, I spent many years angry at him, for betraying himself and for abandoning me.

Today, when I tell the families and loved ones of a suicide that I understand exactly what they’re going through—and why—they believe me. Many have told me it helps them come to terms with it. Over the years some of these family members have continued to call me, the doctor who was on the phone with them on the single worst day of their lives, to include me in the celebration of graduations, weddings, new grandchildren. You miss the person who was taken away from you most deeply during the times of greatest joy. Getting those calls, thank-you cards, and birth announcements—exclamation marks, wrinkled newborns, new life—is the most rewarding part of my job.

This personal experience with death did not cause me to choose a profession steeped in it. My dad’s suicide led me to embrace life—to celebrate it and cling to it. I came to a career performing autopsies in a roundabout way.

When I graduated from UCLA medical school in 1996 I wanted to be a surgeon, and I began a surgical residency at a teaching hospital in Boston. The program had a reputation for working its surgery trainees brutally; but the senior residents all assured me, conspiratorially, that the payoff outweighed the short-term cost. “You work like a dog for five years. Tough it out. When you’re done and you become an attending physician, you’ve got it made. The hours are good, you save lives all day long, and you make a lot of money doing it.” I bought the pitch.

Before long I started noticing that many of the surgeons’ offices had a cot folded away in a corner. “Who keeps a bed in his office? Somebody who never has time to go home and sleep, that’s who,” a veteran nurse pointed out. My workweek started at four thirty on a Monday morning and ended at five thirty Tuesday evening—a 36-hour shift. A 24-hour shift would follow it, then another 36, and the week would end with a 12-hour shift. I got one full day off every two weeks. That was the standard 108-hour work schedule. Sometimes it was worse. On several occasions I was wielding a scalpel for 60 straight hours relieved only by brief naps. I clocked a few 130-hour workweeks.

T.J. started buying lots of eggs, red meat, protein shakes, boxes of high-calorie snack bars he could stick into the pockets of my lab coat. He had to cram as much fuel into me as he could during the predawn gloom of breakfast, and again when I dropped into a chair at the dinner table, still in my dirty scrubs, the following night. During my fifteen-minute commute home, I’d often take catnaps at red lights—“I’ll just close my eyes for a minute”—and wake to the sound of the guy behind me laying on his horn, the light green.

Boston is T.J.’s hometown. His family was overjoyed when we moved back there from Los Angeles. We were eighteen when we started dating—college freshmen, practically high school sweethearts—and had entered our twenties happy, and serious about each other. I wanted to get married—but he had begun to have his doubts. He doubted, I would later find out, that he wanted to be married to a surgeon. I was fading into a pallid, shuffling specter and was steadily losing the man I loved, and who loved me.

Then, one day in September, I fainted on the job at the end of a thirty-six-hour shift. I dropped to the linoleum right next to a patient in his sickbed and awoke on a gurney being wheeled to the emergency room, an intravenous glucose drip in my arm. The diagnosis was exhaustion and dehydration. The head of the residency program, my boss, came in and stood next to the IV drip bag, obviously impatient but not visibly concerned. “Okay,” he said, “you’re just tired. Go home, take twelve hours off, and sleep. Drink plenty of fluids, all right?” I was in a daze, wiped out and ashamed, and could only nod back. “I’ll get somebody to cover your next shift,” the surgeon told me, his back to my bed as he hurried out the door.

As soon as the boss had left me alone in that ER bed, I was no longer ashamed. I was infuriated. Nobody should be expected to practice clinical medicine, much less perform surgery, on the three hours’ sleep I had been living with. But I had wanted to be a surgeon since I first picked up a scalpel in medical school. I had been in the operating room and watched lives saved, and wasn’t ready to give it up just because my body gave out on me one time. I went back to work.

Less than a month later I was forced to consider the hazards my patients might be facing at the hands of their exhausted doctors. The hospital pharmacy paged me during morning rounds. When I called in, a woman’s voice asked, “Do you really want to put two hundred units of insulin in this patient’s hyperal, Doctor?”

I had had a full night’s sleep and was as alert as I ever got to be, but I still blurted out the first thing that came to mind. “What? No! That’d kill a horse!”

Hyperal, short for hyperalimentation, is a type of intravenous nutritional supply that puts food energy directly into your bloodstream. It has to include a carefully calibrated number of insulin units—fifteen or twenty units, for instance—so that your body can maintain its healthy cycle of fuel storage and release. If instead you were to receive two hundred units of insulin, you would pass out from hypoglycemia and die within minutes of a fatal cardiac arrhythmia, a terminal seizure, or both.

“I didn’t write that order, did I?”

“What’s your name?”

“Dr. Melinek.”

“Melinek. Let’s see.” There was a shuffling of papers on the other end of the line. “No,” the woman finally replied, and I was able to breathe again.

“Okay,” I said. “How many units of insulin did the patient get in his hyperal yesterday?”

“Twenty units.”

“And the day before?”

“Twenty.”

“Let’s just make it twenty units, then.”

“Right,” confirmed the pharmacy technician, who had just saved somebody’s life.

The doctor who wrote that order during the last shift was a fellow surgery resident. He had almost killed a patient by writing an extra zero on a nutrition order. I didn’t fill out an incident report about the near-fatal mistake. Nobody had been hurt and nobody had died, so there was no incident. During one of those 130-hour workweeks, had I hurt patients without even knowing it? Had I killed anyone?

The end of my surgical career came three months later, when I caught the flu—ordinary seasonal influenza—and tried to call in sick. “There’s no one to take up the slack this time,” my boss scolded, as though my trip to the hospital ER in September had been some sort of shirking ploy. I swallowed two Tylenol, stuck the rest of the bottle in my pocket, and went to work.

The shift was a blur. The Tylenol wore off after a couple of hours, and I started shaking with chills. I took a moment to slip into an empty nurses’ alcove and measure my temperature: 102º. While I was gulping two more pills, an emergency came through the door, a young woman with acute appendicitis. Somebody thrust the medical chart in my hand as I followed the gurney down to the operating room. The patient’s fever was 101.2º—lower than mine.

My hands didn’t shake. I opened her up, tied off the appendix, cut it out, and sutured the site of excision. The room was swaying, and I was sweating in sheets—but I took a deep breath, focused all my attention on the needle, and finished stitching. That was the sixty-first operation I performed during six months of surgical residency, and the last. The minute I scrubbed out of the operating room, I told the chief resident I was too sick to work and had to go home right away. “Don’t feel too bad,” she tried to comfort me. “I once had a miscarriage while on call.”

I called T.J.—feverish, despondent, bawling. When he arrived at the residents’ call room, he closed and locked the door without a word. Then he crouched down by my bunk and asked, “Do you want to quit?” I confessed that I did. “Good,” T.J. said with conviction. “You should.”

“But what are we going to do? What hospital is going to take me if I quit?”

“Doesn’t matter,” he said. “Not anymore. Quit.”

He was right. It didn’t matter. All that mattered was getting out of there. I resigned my position as a surgery resident the next day. T.J. and I started spending time together again. On Valentine’s Day of 1997 we were walking down a street we had traversed on our first date, nine years before to the day, back when we were teenagers. When we reached the spot where we had first held hands, he stopped, took both of mine, and lowered one knee to the icy sidewalk. I was surprised, delighted, giggling helplessly. “Would you give me an answer, yes or no?” he pleaded. “My knee is getting cold.”

I was happy for the first time in nearly a year—but scared too. I had learned only what kind of doctor I did not want to be, and was convinced no hospital would take me as a new resident in any specialty now that I was damaged goods. The happiest I’d been in medical school was during the pathology rotation. The science was fascinating, the cases engaging, and the doctors seemed to have stable lives. The director of the pathology residency program at UCLA had tried to recruit me during my last year of medical school. “No, no,” I had told her back in the day, driven and cocksure. “I’m going to be a surgeon.”

More than a year later, I called her to ask if she knew of any pathology jobs, anywhere, for a failed surgery resident.

“Can you start here in July?” she asked.

“What do you mean?”

“Judy, I’ll keep a pathology residency position for you right here at UCLA if you’ll start in July.”

Even more shocking was T.J.’s enthusiasm for the idea. “You’ll be leaving your family behind again,” I pointed out.

“Doctor,” my fiancé replied, “I’ve followed you to hell and back. I’ll follow you to Los Angeles.”

Most helpful customer reviews

73 of 80 people found the following review helpful.
Staying Alive Is Mostly Common Sense
By prisrob
"Staying alive is mostly common sense", Judy Melinek tells her husband, TJ, after he complains that listening to her daily stories of her work as a Forensic Pathologist, will cause him to wear gloves and a mask when he is out in public. Certainly the stories, Judy shares can be gruesome and cause one to wonder how they will die. After all, a pathologist gives you the last physician exam you will ever have.

Judy Melinek, the author, along with her husband, TJMitchell, gives us the story of her life as a Medical Examiner, or Forensic Pathologist in New York City. Here, she learned at the hands of some of the best pathologists in the world. Judy and TJ met at Harvard where they both graduated. Judy went on to study as a surgeon in a prestigious hospital in Boston. What this experience taught her was that she would be forever tired, and working as a surgeon under these conditions is dangerous to us, her patients. After taking a year off to bring her son into the world, she studied as a pathology resident in California, and then went to the Medical Examiner's office in New York City.

All of Judy's stories were exhilarating and informative, but the most unbelievable and realistic experience was after the 9/11 disaster. Each body and each body part, no matter how small, had to be examined. Judy relates the organization required and the skill set necessary to get through this trying time. The other point that Judy makes quite well, is that a autopsy is a medical discovery. You need to want to be a detective. One of the most important parts of the job, is communicating with the family. You are delivering the news on how a love one died. Some relatives are disbelieving, some don't want to know the truth. But, your word is the last word. Judy discusses her mentors, and what she learned under their tutelage. The stories are sometimes funny but always filled with the knowledge that comes from someone who truly knows their profession, and is probably one of the best.

I am a health care professional, so all of the stories describing the autopsy were informative, and brought me back to my anatomy and physiology years. For others, this detail may be too much, but I advise you skip over the parts that may disturb you, and concentrate on the stories. These are stories of the humans who inhabited the bodies that turned up in the Medical Examiner's Office. Dr. Judy Melinek gives us a rare glimpse into this world. I read this book during the Robin William's suicide, and Judy discusses her father's suicide and her reactions, which I found very helpful and filled with a daughter's memories. This book is well written, from Judy and her husband, TJ's perspectives. Memorable.

Recommended. prisrob 08-15-14

3 of 3 people found the following review helpful.
An Engaging Memoir by a First-Class Human Being
By CafeMartin
It's been a while since I picked up a book so engaging that I walked around the house, nose-in-book, responding to family members with perfunctory "mm-hmms". Working Stiff was written by Dr. Judy Melinek and her husband, Author T.J. Mitchell. It is about Dr. Melinek's journey as a Medical Examiner, along with Mr. Mitchell, who followed her around the country and became a stay-at-home Dad. Not sure who had the harder job, but Working Stiff is about being a Medical Examiner, no matter how emphatically an at-home parent might suggest that the title also applies to him/her.

Two reasons the book is engrossing: great writing and great editing. Too often, I find I can skip half of a book and still extract the story. This is not that book. Though not a medical journal, Working Stiff is not dumbed down, nor is it soft-focused. If there's a decomposed body, the reader won't have to wonder how badly.

The fact that Dr. Melinek walked into work in New York City on September 11, 2001 begins one of the most gripping sections in the book. If you were somewhere besides New York City at the time and think you've seen it all: heard every survivor story, seen every newscast of the event, every you-tube video of people jumping off the Twin Towers, every History Channel recap, forget it. You know nothing. Most news coverage focused on emergency workers, or on the destruction visible for blocks. Unseen, in the middle of that, Dr. Melinek and her colleagues had the task of separating and cataloguing each piece of recognizable human remain that, well, remained. Long after much of the country had gone back to normal life, Dr. Melinek was still engaged in exacting, potentially overwhelming work.

In Working Stiff, Dr. Melinek offers a heartfelt look into her professional and family life. What was truly unique was what was absent. There were no elements of "how I had to fight for the respect of my male colleagues". There were no plot twists like: pouty significant other, lousy boss griping about daycare arrangements, hyper-competitive female colleagues making her life miserable, or any similar, real-life challenges I've read in other memoirs written by medical professional women. No, for Dr. Melinek, collegial respect seems to have always been presumed and given. She's had the consistent love and respect of a husband who honors her profession and has pursued Full-Time Parenting as the legitimate vocation it has always been. Is it true? Are we turning a corner in medicine and perhaps society? In which there aren't "woman doctors", just doctors? In which either parent can choose to be an at-home one? I'll hope so. For now, I recommend Working Stiff, a great read.

1 of 1 people found the following review helpful.
Very interesting and touching !
By Kindle Customer
An excellent book with so many touching moments. What really pulled at my heart strings was when she talks a b out 9/11 and the World Trade Center tradegy. I remember the news but it never shook me like her description of the remains and all that was happening in New York at that moment. I am glad that I had the opportunity to read this book. Enjoy !

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