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John Miller: The Ruin of Exchange (Positions), by John Miller, Alexander Alberro, Mike Kelley
PDF Ebook John Miller: The Ruin of Exchange (Positions), by John Miller, Alexander Alberro, Mike Kelley
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Spanning 1989 to 2009, this anthology collects the influential writings of American artist, musician and critic John Miller (born 1954), which have been lauded by Bruce Hainley in Artforum as “a pungent intervention into the ideologies of beauty, representation and looking.” Ranging from reviews and cultural essays to theory and artist's statements, Miller's writings distinguish themselves from other styles of art criticism insofar as they relate to his larger artistic concerns with the social context of the art object and its sociopolitical ramifications as a commodity (as the title of this volume implies); they are also deeply informed by Miller's vast knowledge of art history and popular culture. More recently, Miller has entered into close dialogue with Dan Graham, Bob Nickas and Nicolas Guagnini. Many of the essays collected here--such as his contributions to the German magazine Texte zur Kunst--appear in English for the first time.
- Sales Rank: #2599850 in Books
- Brand: Brand: JRP|Ringier
- Published on: 2013-01-31
- Original language: English
- Number of items: 1
- Dimensions: 8.20" h x 1.30" w x 5.90" l, 1.10 pounds
- Binding: Paperback
- 256 pages
- Used Book in Good Condition
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John Miller - New Yet Familiar Dramas
By Dennis Balk
In the forward to John Miller’s collection of writings titled, The Ruin of Exchange/ And Other Writings on Art, Mike Kelley wrote, “John is a utopian, his basic worldview is Marxist, and he has a black sense of humor-generally delivered with a straight face. His sense of humor is more easily perceived in his visual artworks than in his writings, which are quite serious.” I would say, this is mostly correct, Mike, but, his artworks, which can be hysterical, are also delivered with a straight face. Overturned plastic trash cans, smeared plaster and brown acrylic as bad conscience, the collective we say, “NO”!
To the point of the serious writing; yes it is. John’s writing is analysis heavy in the territory of human-emotional economies as they spill around the site of the art work and reconstitute as both received hubris by an audience picking at fragments of clarity. And, as indicators of reinforcement that fuel the machine of history making. John’s analysis is always from a place we don’t expect even if calculated to come through the channel of intellectualized positioning. The fundamental departure point or the frame of his reference remains consistent throughout the entire collection of these essays, which could be very dry, but not here. They’re terrific fun and challenging. Like an episodic tv show that doesn’t stray too far from the essential plot line. So here we have new yet familiar dramas, I will call Departure-Marxism. How great - familiar yet new again.
This collection, these texts and ideas come from a good amount of John’s career. They are important to read now precisely because currently all we’re getting, all across the published scene from the broad array of populists’ who spit out so-called critical writing, is career gossip and money envy in the guise of sophistication. For me, having witnessed some of the events and some of the work John discusses, and I would assume for most of John’s readers, we say NO!
Dennis Balk / Bangkok / 2014
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